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Joseph Nechvatal's blog

terra incOgnitO

cOncerning Abu GraibcOncerning Abu Graib
terra incOgnitO
Joseph Nechvatal
March 26th – April 25th
Wm Turner gallery, Atlanta
http://www.wmturnergallery.com/

In the exhibition terra incOgnitO, computer viruses and computer-assisted paintings address a psychic departure from the shadow world connected to the abuses at Abu Graib.


Review of ASTRONOME by Richard Foreman and John Zorn

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ASTRONOME: ASTRONOMEASTRONOME: ASTRONOMEReview of
ASTRONOME : A Night at the Opera
A Richard Foreman and John Zorn's music/theater collaboration


ECAM 2008 conference in Mexico City

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ECAM 2008 conference in Mexico CityECAM 2008 conference in Mexico City
Cybism @ ECAM 2008 Mexico City

These brief words are an attempt to outline for ECAM 2008 what I am calling Cybism by stating what I take to be its underlying attributes.


Noise music

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Tellus13Tellus13

Noise music is a term used to describe varieties of avant-garde music and sound art that may use elements such as cacophony, dissonance, atonality, noise, indeterminacy, and repetition in their realization.


Rhizomatic Rauschenberg : A personal appreciation on the occasion of Robert Rauschenberg's death

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RauschenbergRauschenberg

A personal appreciation on the occasion of Robert Rauschenberg's death

I was born in 1951, a clean slate, the same year Robert Rauschenberg accomplished his famous series of white interactive paintings. It seems to me he has been inter-filling my mind in ever since; though we never met.

I was trying to remember how I first became aware of his work: but of course it was through the mechanically reproduced. As a freshman at
Hinsdale High School I purchased a copy of Calvin Tomkins’s book "Ahead of the Game" (I still own it! – the cover incorporates "L.H.O.O.Q." by Marcel
Duchamp), in which Rauschenberg was introduced to me via Duchamp, John Cage and Jean Tinguely. I think I had been prepared to become devoted to his combination-permutation sensibility because I had been highly excited, as a 10 year old boy, by the Dada collages I had discovered in the Max Ernst exhibition I saw the summer of 1961 at the Art Institute of Chicago.


viral symphOny 4th movement

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viral symphonyviral symphony
The viral symphOny 4th movement has been web published here:
http://www.heyokamagazine.com/HEYOKA.13.VIRAL.4.htm


Tellus #20 Media Myth web published @ http://www.ubu.com/sound/tellus_20.html

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Tellus 20 Media MythTellus 20 Media MythTellus 20 :: Media Myth 2Tellus 20 :: Media Myth 2

Tellus #20 Media Myth has been web published as mp3s at http://www.ubu.com/sound/tellus_20.html

Curated by Joseph Nechvatal

Cover art by Steve Parrino

Total time: 64:38


Joseph Nechvatal on the Influence of Gilles Deleuze

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Gilles DeleuzeGilles Deleuze

What is real is the becoming itself, the block of becoming, not supposedly fixed terms through which that which becomes passes.
- Gilles Deleuze and Félix Guattari, A Thousand Plateaus

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Experiments in Art and Technology (E.A.T.) Events

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Experiments in Art and Technology (E.A.T.) was founded in 1966 by engineers Billy Klüver and Fred Waldhauer, and artists Robert Rauschenberg and Robert Whitman, to provide artists with access to new technology and to promote collaborations between artists and engineers.


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