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Joseph Nechvatal's blog

Review of Chefs-d’oeuvre d’Afrique at Musée Dapper

categories:

Fang peoples, Betsi group (Gabon or Equatorial Guinea), “The Black Venus” (aka “eyema byeri” and “Pahouin Venus,” 19th century)Fang peoples, Betsi group (Gabon or Equatorial Guinea), “The Black Venus” (aka “eyema byeri” and “Pahouin Venus,” 19th century)

Review of Chefs-d’oeuvre d’Afrique at Musée Dapper

http://hyperallergic.com/278551/in-paris-a-museum-of-african-art-brings-...


Ai Weiwei at Le Bon Marché

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Ai Weiwei exhibit at Le Bon MarchéAi Weiwei exhibit at Le Bon Marché

Review of Ai Weiwei exhibit at Le Bon Marché department store in Paris

http://hyperallergic.com/270623/paris-department-store-kite-display-mark...


The King is Dead

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Pierre Firens “Le Portraict du defunct Roy Henry le Grand IV"Pierre Firens “Le Portraict du defunct Roy Henry le Grand IV"

Review of Le Roi Est Mort (The King is Dead) at the Palace of Versailles

http://hyperallergic.com/272382/at-versailles-a-darkly-comic-celebration...


Destroy the Situation

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Destroy the Situation (1986)Destroy the Situation (1986)

Throwback: "Destroy the Situation" (1986) Joseph Nechvatal
computer-robotic assisted acrylic on canvas


Wifredo Lam by Way of Rammellzee’s Gothic Futurism

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Wifredo Lam, “Le Présent éternel” (1944), mixed media on canvas, RSID Museum of Art, ProvidenceWifredo Lam, “Le Présent éternel” (1944), mixed media on canvas, RSID Museum of Art, Providence
Wifredo Lam by Way of Rammellzee’s Gothic Futurism
http://hyperallergic.com/269887/wifredo-lam-by-way-of-an-afrofuturist-gr...


Art review of Warhol Unlimited at the Musée d’Art moderne de la Ville de Paris

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Andy Warhol (1928-1987), Blow Job Photogram, 1964, film captured in 16 mm, black and white, mute, time 35 minutes for 16 imagesAndy Warhol (1928-1987), Blow Job Photogram, 1964, film captured in 16 mm, black and white, mute, time 35 minutes for 16 images
Art review of Warhol Unlimited at the Musée d’Art moderne de la Ville de Paris

http://hyperallergic.com/268192/in-paris-andy-warhols-works-are-shadows-...


The Unclassifiable Art of Leonor Fini, a True Paris Bohemian

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Henri Cartier-Bresson photo of Leonor Fini "Trieste" (1933)Henri Cartier-Bresson photo of Leonor Fini "Trieste" (1933)

The Unclassifiable Art of Leonor Fini, a True Paris Bohemian

http://hyperallergic.com/267496/the-unclassifiable-art-of-leonor-fini-a-...


How Artists Portrayed Prostitution in 19th-Century Paris

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François-Rupert Carabin (1862-1932) Groupe de quatre femmes nues, entre 1895 et 1910 Épreuve sur papier albuminé, 17,3 x 12 cm PFrançois-Rupert Carabin (1862-1932) Groupe de quatre femmes nues, entre 1895 et 1910 Épreuve sur papier albuminé, 17,3 x 12 cm P

How Artists Portrayed Prostitution in 19th-Century Paris

http://hyperallergic.com/264313/how-artists-portrayed-prostitution-in-19...


Olafur Eliasson’s Sundial of Melting Icebergs Clocks In at Half-Past Wasteful

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Olafur Eliasson and Minik Rosing, “Ice Watch” (2015) (photo by Martin Argyroglo, © 2015 Olafur Eliasson)Olafur Eliasson and Minik Rosing, “Ice Watch” (2015) (photo by Martin Argyroglo, © 2015 Olafur Eliasson)
Olafur Eliasson’s Sundial of Melting Icebergs Clocks In at Half-Past Wasteful

http://hyperallergic.com/260217/olafur-eliassons-sundial-of-melting-iceb...


Review of UGO RONDINONE : I ♥ JOHN GIORNO

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Judith Eisler, “John” (2008) oil on canvas, 122 x 152 cm, collection of Wade Guyton, courtesy of Sarah GavlakJudith Eisler, “John” (2008) oil on canvas, 122 x 152 cm, collection of Wade Guyton, courtesy of Sarah Gavlak

Review of UGO RONDINONE : I ♥ JOHN GIORNO

http://hyperallergic.com/263030/a-show-of-love-for-john-giornos-poetry-a...


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