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What was Dada? Why is there a Dada Archive? And why, of all places, is it in Iowa?

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Some people over the World are concerned by the Paris riots and some cars burning, I can tell you that everything was always in order, all this was not happening in Paris but in the suburbs where the poor are conveniently located with the poor. In Paris all the rage is about the Dada exhibition at the Pompidou Center, you see Dada was such a revolutionary Art movement from way back, they say.

And it was. At least I was sure of it before seeing this exhibition which is an archetypal example of curatorial ineptitude. No attempt is made to convey the ebullient, lively and volcanic genius of the chaos developed under the non-sensical name of dada. In fact the determination of the curators to circumvent the shambolic bleeding heart of the dada critique is unavoidable as they have systematically laid their lacklustre show within a 3D grid. The 6th floor of the Pompidou is cut into small adjoining cubic boxes which as well as having a map-like reference such as A3 for the "social critique" box provide no relief in their vertical juxtaposition of professionally framed oeuvres. The effect of this perfectly laid out gentrification culminates as the curators seem so proud of the extensivity of their collection that they pin under glass seemingly every single bit of paper ever produced by every Dadaist and their uncle. Thousands of notes, drafts, leaflets are tamingly assembled as so many dead butterflies by an obsessive kid dumbed by his fetishism, blinded from beauty and feeling.


Sermon

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Chapter 3, verses 6-9

As the sun reached it's zenith on the seventh day the mountains did quake and Rob crieth out, 'Eli, Eli, lama sabachthani'?

But help cometh not from above, nor from the right or left. Cometh it not from the fires of Sheol. It cometh not from the Rockerfeller Foundation. Neither from the Ford. It cometh not from grass roots funding agencies nor from the National Endowment for the Arts. It cometh not from PBS, NBC, CNN nor from the Disney channel. And as the silence of the grants filled the heavens with emptiness the prophet became sorely vexed. Robin wept.


REFRESH! Archive

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REFRESH! The First International Conference on the Histories of Media Art, Science and Technology Conference: September 28 – October 1, 2005

Link to archives

The Refresh! conference was hosted by the BNMI, Leonardo / ISAST, and the Database for Virtual Art and was generously supported by Social Science and Humanities Research Council, Canada, Daniel Langlois Foundation, Telefilm Canada, Canada Council for the Arts, Goethe-institute, Deutsche Forschungsgemeinschaft, Villa Vigoni, UNESCO DigiArts, INTEL and ITAU Cultural.

This Refresh! archive forms a unique educational resource for new media practitioners, historians and learners. Recognizing the increasing significance of media art for our culture, the Refresh! conference on the Histories of Media Art discussed for the first time the history of media art within the interdisciplinary and intercultural contexts of the histories of art.

Leonardo/ISAST, Banff New Media Institute the Database for Virtual Art and UNESCO DigiArts collaborated to produce the first international art history conference covering art and new media, art and technology, art-science interaction, and the history of media as pertinent to contemporary art.


Drive Time

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What happends if you give americans with to many cars and a daily commute to work a camera? Some start a video blog. DriveTime is that. A weekly talk show, hosting guests, that need a ride. Latest updates about international chains that open a local store.

Dont miss it next friday ...


What I Did Today: 11/16/05

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Bored at the Death Star I ventured out today:

Somehow I missed out on the  Mike Kelley gene  because I've never thought much of his work even though I do admit to a bit of sympathy for what he tries to do. Alas, there's no sparks, not even in the acres and acres of work now at Gagosian in Chelsea titled "Day is Done". I do admit that he's got the whole schizophrenic market cornered but others do it much more economically. And what's with the ridiculous report on the opening by David Rimanelli on the Artforum site:
LINK


CAE ARTIST RELEASED FROM PRETRIAL SUPERVISION

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media@caedefensefund.org

ARTIST RELEASED FROM PRETRIAL SUPERVISION DESPITE
DEPARTMENT OF JUSTICE OBJECTIONS: 
Case Continues At Slow Pace


THE THING Housewarming

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THE THING housewarming and welcome for THING.residency artists Jan Gerber and Daniel Pflumm

The Death Star, NYC
November 9, 2005

left: Joerg Lohse strikes a pose

Slideshow


Liberty, fraternity and equality...

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GH and I were talking about this just this morning  at breakfast and he came to the same conclusion, that the riots in France not about poverty or religion but about the police.

Murphy 

November 9, 2005

Inside French Housing Project, Feelings of Being the Outsiders
By CRAIG S. SMITH

ÉVRY, France, Nov. 8 - Amin Kouidri, 20, has been hunting for a job for more than two years now and spends his days drifting around a government housing project here under the watchful gaze of France's national police.


Dialogue with the Philosopher Toni Negri

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LINK

The Italian philosopher Toni Negri analyzes the United States’ invasion of Iraq as a “defeat.” He spoke to Pagina/12 from the recuperated Hotel Bauen, expounding an auspicious perspective for Latin America and criticizing the “traditional” European left.

The Italian philosopher and militant Toni Negri is in Argentina for a second time. He is arriving from a trip to Chile and is now headed to Brazil. After having launched a worldwide polemic with his book Empire, about the end of the age of classical imperialism, he is now convinced that we find ourselves in an anomalous period for Latin America because it has finally ceased to be “the back porch” of the United States. From the Argentine crisis in 2001 to the current crisis in Brazil, passing through the failed coup in Venezuela and the Andean revolts, Negri reads a profound continental change capable of giving way to a multilateralism that will dispute North American pretensions toward an imperialist sovereignty. In his dialogue with Pagina/12, he insists that Latin America is further along than Europe with regard to its ability to think the relation between social movements and governments through the experimentation of a democratic radicalism.


The Triumph of the East Village

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Like a lot of other artists in the 80’s I opened a gallery in the east village.  The name of the gallery was Virtual Garrison. The address was 19  2nd Ave. at 1st street.  It was open for 2 years.  Recently I’ve been trying to discuss the East Village scene to some younger dealers.  Indeed, I just remarked to Rob Murphy the other day that during our Springtime walk around of the Chelsea art galleries all the works being exhibited seemed to be a triumph of the East Village style or styles. Rob agreed.  The East Village scene started with Alan Moore staging an anarchist artist occupation of the Essex street market on New Year’s day and having a show called “The real Estate Show.” This was an extension of the Soho raw space look but with the political twist of squatting in abandoned buildings.  The art works were a mishmash of poster style propaganda paintings, punk and neo-surrealism etc. Much of the work was by Colab artist’s fresh from their success at The Times Square show that was held in a former whorehouse on 42nd street.  


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