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He Found Me On Craigslist

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This is what happens if you leave THE THING, we send "Dino" after you. --murph

Brian

Brian Boucher, with a mug shot of Dino Loren Smith, in the West 186th Street building where they shared a one-bedroom apartment. (Photo: Christopher Anderson)

Seeking roommate for one-bedroom in Washington Heights. It’s a bit small for two but I have to catch up on some bills. Two friendly cats, but we keep clean because I’m a little allergic myself. A little more than half of the $950 rent gets you the privacy of the bedroom.


Urgent Appeal To Save Iraq's Teachers

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A little known aspect of the tragedy engulfing Iraq is the systematic liquidation of the country's academics.  Even according to conservative estimates, over 250 educators have been assassinated, and many hundreds more have disappeared. With thousands fleeing the country in fear for their lives, not only is Iraq undergoing a major brain drain, the secular middle class - which has refused to be co-opted by the US occupation - is being decimated, with far-reaching consequences for the future of Iraq.

Already on July 14, 2004, veteran correspondent Robert Fisk reported from Iraq that: "University staff suspect that there is a campaign to strip Iraq of its academics, to complete the destruction of Iraq's cultural identity which began when the American army entered Baghdad."

The wave of assassinations appears non-partisan and non-sectarian, targeting women as well as men, and is countrywide. It is indiscriminate of expertise: professors of geography, history and Arabic literature as well as science are among the dead.  Not one individual has been apprehended in connection with these assassinations.
According to the United Nations University, some 84 per cent of Iraq's institutions of higher education have already been burnt, looted or destroyed. Iraq's educational system used to be among the best in the region; one of the country's most important assets was its well-educated people.

This situation is a mirror of the occupation as a whole: a catastrophe of staggering proportions unfolding in a climate of criminal disregard. As an occupying power, and under international humanitarian law, final responsibility for protecting Iraqi citizens, including academics, lies with the United States.

With this petition we want to break the silence.
1. We appeal to organisations which work to enforce or defend international humanitarian law to put these crimes on the agenda. 

2. We request that an independent international investigation be launched immediately to probe these extrajudicial killings. This investigation should also examine the issue of responsibility to clearly identify who is accountable for this state of affairs. We appeal to the special rapporteur on summary executions at UNHCHR in Geneva.
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You can sign this petition by clicking:
 
This petition was launched by the BRussells Tribunal and is already endorsed by CEOSI (Spain), the Portuguese hearing of the WTI, Iraktribunal.de (Germany), the Swedish Antiwar committee, the IAC (USA), the International Association of Middle East Studies (IAMES), the German Middle East Studies Association (DAVO) and the European Association for Middle Eastern Studies (EURAMES), and several personalities, like Noam Chomsky, Howard Zinn, John Pilger, Michael Parenti (see more complete list underneath).
See also the call for action underneath and more information on:


THE THING Has Landed (Redux)

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Maiden Lane View
 
Wolfgang, Darrel and I moved THE THING from Death Star to Maiden Lane on Thursday and the above is the view from our window. Not quite Soho or Tribeca but there are no SUV-sized baby strollers hogging the sidewalk so that's a plus. However there are hedge-fund managers galore so maybe they are the new babies. They take up a lot of room. Too bad they'll be broke in a few years and artists will be able to afford their "luxury lofts."


explodingtelevision.net

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 EXPLODING TELEVISION: TEA TIME TV Dates: Friday 27 January -  
 Wednesday 1 February 2006,

 Location: Witte de With/TENT., Witte de Withstraat 50, Rotterdam  
 Admission: free

 Website: www.v2.nl  | www.explodingtelevision.net

 Live video stream available from http://www.v2.nl/live


Some Notes on Locus Sonus and the Podcast Workshop

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Both Jerome Joy and Peter Sinclair are sound artists who live and teach in the south of France. They decided to instigate an experimental sound art program for post-graduate students in between their two schools (Aix-en-Provence and Nice). I was invited to do a workshop about podcasting for Locus Sonus at Villa Arson, the art school in Nice.


Goodbye Death Star

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hats
 Goodbye Death Star
 

an international day against video surveillance

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 19-20 March 2006

We, the undersigned, are unconditionally opposed to the use of video
surveillance cameras in public places. We are also opposed to the use of surveillance cameras that, though installed in privately owned places, are actually use to surveill the public. We believe that both types of cameras, in addition to being useless in the "wars" on crime and terrorism, are tools that all-too-frequently used to violate our rights to privacy, anonymity, dignity and political dissent.


Dark Places

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Dark Places

An experimental group exhibition

Curator: Joshua Decter

The Santa Monica Museum of Art presents Dark Places, conceived and curated by Joshua Decter, with an installation design by the architectural collective servo. An experimental group exhibition, Dark Places features the digitized works of 76 international artists and architects, organized into eight “curatorial scripts." The show is comprised of the simultaneous interplay of eight distinct micro-exhibitions. These sequences of works are displayed via eight projector units incorporated within a translucent architectural armature suspended in the museum’s space. Relationships among art, architecture, media, and technological design are reanimated here, generating a new kind of immersive environment—the hallucination of a futuristic noir scenario inside the frame of the museum.


Attack of the Schmoozebeasts

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In an unusual attempt at self-preservation I've tried to avoid the current revival of feminist furor in the art world being stirred up by Roberta Smith and her consort, (buddy boy) Jerry Saltz, but my curiosity was sparked by this Artforum Diary posting on a recent panel on "Feminism" by Rhonda Lieberman.

(I'll give you time to read it. Trust me, it's funny).

Schmoozebeasts? Have I been sleeping or am I behind in my Yiddish? Will this replace the increasingly tiresome "hipster"? Please? It rolls off the tongue like a boiled pierogi. And I'll take anything over the repulsive "art fag"; it wasn't funny the first time around and it's not ironic now. It's just sad. Really really sad.

About the panel: I thought Joan Snyder drank herself to death in France years ago. Oh, right, that was Joan Mitchell. Sorry, my mistake. And, yes Joan, men are to blame for everything bad in the world but can we also take some credit for the good things? We're not all Julian Schnabel, you know. Some of us are sensitive pussycats like, say, Richard Serra? Why is it that a bonehead like Schnabel is always the target. Too afraid to take on the real tough guy, hey?

When Collier Shorr first appeared everyone always referred to her as Richard Prince's boyfriend so I'm not sure how much sincerity is behind her statements of admiration for Snyder, or anyone.

Barbara Kruger is, of course, always right (just ask her!) and though "direct address" is out of style right  now in favor of all that relational stuff I hope she'll dump academia and be back on the bullhorn soon. Kruger designed commercial book covers early on in her career -- I had an Aldous Huxley paperback  with a cover by her at one point  --  and she definitely knows what she's talking about in terms of media. Po-Mo princess Cindy Sherman, on the other hand, watched movies. She's right: Victim/Aggressor are absolutely two sides to the same coin. I guess you could say I'm a Kruger butch rather than a Cindy Sherman femme.

Tamy Ben-Tor's work I don't know so it's hard to decide whether she or Joan Snyder made the dumber statement.

My question is: Why did four intelligent and respected artists let Roberta Smith set them up like that?

A more considered and thorough (but much less funny) account of the panel by Mira Shor is here along with a piece on an earlier panel with Vanessa Beecroft.


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