UN|COMMONS
The Fight For Common Wealth | October 22-24
Workshops, Talks, Performances + Cooking
Volksbuehne at Rosa-Luxemburg Platz | Berlin

Water and food, data and networks, medicine
and cultural assets: Who owns these resources?
Who ought to? Who has access and whose access

14pp., 15 x 30.5 cm., deckle-edged handmade paper wrappers, Pédale 133 letterpress-printed on handmade paper. Translated by Simon Watson Taylor. 177 numbered copies. 44 numbered copies, signed by the author, unavailable 111 copies, numbered 45 to 155, unavailable ISBN 1 900565 27 7
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On
Jean Baudrillard

"The Left, with Marx its original prophet, has always warned
that, as a system, capitalism strives to turn us into automata and
our market society into a Matrix-like dystopia. But the closer it
comes to achieving its aim, the nearer it gets to its moment of
ruin, very much like the mythical Icarus."

Christof Kohlhöfer and Sigmar Polke,The Whole Body Feels Light and Wants to Fly… / Der ganze Körper fühlt sich leicht und möcht

Review of the Alibis: Sigmar Polke Retrospective at the Museum Ludwig (Koln)
http://hyperallergic.com/214765/sigmar-polkes-dreamy-trippy-art-went-dee...

I've been advised that Parreno's marquee pieces deserve further discussion. They are, certainly, the dominant visual element of the H{N)Y P N(Y}OSIS installation at the Park Avenue Armory, marking the outline of Danny the Street and providing much of the illumination in the Drill Hall. The films and musical interludes might alternate, turning on and off in random sequence, but the marquees abide like sentinels or referees, providing strict framing of the playing field, defining the rules of the game.

When the circus comes to town, we are accustomed to a certain hierarchy of presentation. First there is the sideshow, often an allee lined with various attractions that are transitory and ephemeral: small, spicy, tender morsels that serve to whet our appetite for the main course, where the real business of the circus -- marching elephants, dancing bears, lion tamers, jugglers, tightrope walkers, aerial acts, the flying trapeze and such -- gets done under the Big Top.

View of “Carousel (Stainless steel version)” (front) and “Anthro/Socio (Rinde Facing Camera)” (rear) at Bruce Nauman, Fondation
Review of the Bruce Nauman mini-retrospective at the Fondation Cartier
http://hyperallergic.com/197824/make-step-repeat-bruce-nauman-is-out-of-...

Aufruf zur Alternative

Joseph Beuys 12/1978

Erstveröffentlichung in der Frankfurter Rundschau am 23. 12. 1978

EXPERIMENTAL INTERMEDIA

The Forty-first Anniversary of EI performances at 224 Centre Street, The Forty-sixth Anniversary of the Founding of Experimental Intermedia, the Forty-sixth Anniversary of the 224 Centre Street loft, and, not least, The Twenty-fifth Annual Festival with no fancy name, Part Two (or B)

The Artist as Debtor: A Conference about the Work of Artists in the Age of Speculative Capitalism

The Great Hall, Cooper Union
7 East 7th Street
New York NY 10003

LIVESTREAM: www.stopmotionsolo.tv