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terra incOgnitO

cOncerning Abu GraibcOncerning Abu Graib
terra incOgnitO
Joseph Nechvatal
March 26th – April 25th
Wm Turner gallery, Atlanta
http://www.wmturnergallery.com/

In the exhibition terra incOgnitO, computer viruses and computer-assisted paintings address a psychic departure from the shadow world connected to the abuses at Abu Graib.


"I Can't Believe It's Not Butter"

Wednesday, March 18th, 2009:

New York Congressman Ackerman at the Financial Services Subcommittee hearing into AIG’s impact on the global economy. A strong critic of the lack of oversight of credit default swaps, Congressman Ackerman likens the product to “I Can’t Believe It’s Not Insurance.”


Three Years in Prison for Iraqi Journalist Who Threw His Shoes at George W. Bush


Click here to play

March 12, 2009. Muntadar al-Zeidi, the Iraqi journalist who tossed his shoes at President George W. Bush during a Baghdad press conference on December 14, 2008, was sentenced to three years in prison yesterday.

Dozens of shoe throwing games and video edits were placed online in the days following this incident. Perhaps the most famous, Sock and Awe, appears above for your gaming pleasure. Thus far, nearly 100 million virtual shoes have successfully hit little Bushie in the face. He grimaces and turns a shade of purple when the shoe strikes; there is a yellow explosion graphic and a sharp, meaty slapping sound. All very cathartic and addictive. My high score is 15.

So take a moment to celebrate and try your luck. Although he no longer occupies the White House, this game allows you to connect with the ex-president in a resounding and satisfying manner.


Fair Game: On Armory Week, NYC 2009

The Armory Show 2009, Piers 92 & 94, March 4 - 8, 2009
Pulse New York, Pier 40, March 5 - 8, 2009
Volta NY, 7 West 34th Street, March 5 - 8, 2009


Bradley McCallum/Jacqueline Tarry, Detroit Boys, Michigan, July 1967, 2007

Although swimming in space on its West SoHo pier, Pulse basically sucks. There are exceptions to any rule, and Ms. Diaz is right to cite McCallum/Tarry. I would add Jim Lee’s wall sculpture/paintings at Freight & Volume, Vadis Turner’s femme/folk wedding fantasia at Lyons Wier Ortt, Eckart Hahn’s cross fixations at Pablo’s Birthday, and various work at Conner Contemporary, Magnan Projects, Daneyal Mahmood, Bravin Lee and P.P.O.W. Was also glad to see Constance Collins-Margulies given space for her non-profit Lotus Endowment Fund, a portfolio of photographs by women artists to benefit a Miami women’s shelter.

But Pulse was a general morass of post-student fiddlings, jejune installations and mindless decoration, not ready for prime time. Ironically, the Parsons MFA booth came off better than many of its surrounding “professional” counterparts. Or was I influenced by the spirited advocacy of Parson’s new Fine Art chair Coco Fusco? — we escaped the fair together by taxicab.


Review of ASTRONOME by Richard Foreman and John Zorn

categories: | | | |

ASTRONOME: ASTRONOMEASTRONOME: ASTRONOMEReview of
ASTRONOME : A Night at the Opera
A Richard Foreman and John Zorn's music/theater collaboration


From the Archives: 40 Years/40 Projects, at White Columns, New York

Willoughby Sharp, Inside-Out, at 112 Greene Street, 1974

White Columns, the venerable downtown New York alternative arts space, celebrates its fortieth birthday this year. A retrospective exhibition, organized by Matthew Higgs and Amie Scally, the current WC director and curator, provides a necessary historical overview of its various SoHo and West Village addresses, and of the hundreds of projects and thousands of artists that have passed through its doors. From the Archives: 40 Years/40 Projects continues through February 28, 2009.

Forty years, one show from each year, is a good structure. Like any retrospective, there is a high nostalgia quotient for those who viewed the particular exhibitions when they were first mounted at 112 Greene, 325 Spring, the two Christopher Street locations or the current West 13th Street address of White Columns.

The show is decidedly archival and historical. There is some actual work - by Frank Majore, Lutz Bacher, Felix Gonzalez-Torres, Cheryl Donegan, John Stezaker, Kathe Burkhart, Lovett/Codagnone - but mostly we find documentation of the events: press releases, invitation cards, exhibition checklists, installation photography, typed artists' statements and letters, posters, catalogs, brochures, slides, videos, photos from the openings, a short grainy film, clippings of reviews from various magazines and newspapers (some no longer being published - another lesson in ephemerality).


Walking a Fine Line - Russian Video Art @ Monkeytown Brooklyn

sxy8ates.jpg
Ministry of Culture, Russian Federation
National Center for Contemporary Arts, Ekaterinburg branch in collaboration with International Fine Arts Consortium and Perpetual Art Machine (PAM)

Presents

Walking a Fine Line
Parables of the Sublime and the Subversive in Russian Video Art.

Curated by: Ksenia Fedorova and Alisa Prudnikova

January 9 (Friday), 7:30pm

Monkey Town:
58 N 3rd St. (btw. Kent & Wythe), Williamsburg, Brooklyn 11211

The program showcases the recent Russian video art works that reflect complex and controversial attitude towards the phenomenon of the sublime in Russian culture and mentality. Artists confront mystification and sacralization, engagement and spiritual detachment with strategies ranging from epatage to derision, eccentricity, and radical activism. Whom to blame? What to do? The viewer is invited to ponder upon these and other perennial “Russian” questions and find his/her own “fine line” of authentic response.


Willoughby Sharp (1936-2008)

Willoughby Sharp was a man of art, in the old fashioned sense Thomas Craven meant it. He was fully committed to every facet of a life spent waiting on the muse, wherever it would lead him, from the meanest squalor and confusion to the grandest scene of triumph.


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