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Einbruch deer Dunkelheit

Video archive of the Einbruch deer Dunkelheit Conference from January 25/26 at Volksbühne Am Rosa-Luxemburg-Platz Berlin.

Writing on the wall?

German artist Oliver Bienkowski, who projected the words ‘United Stasi of America’ together with a picture of Kim Dotcom on to the wall of the US embassy in Berlin, may face criminal charges.

The last Concert at the Atelier am Flutgraben.

still recovering from those berlin nights...

Anti-Atom-Großdemonstration in Berlin

Wir werden in Berlin eine große Demonstration für die Stillegung aller Reaktoren veranstalten. Nähere Informationen gibt es in den nächsten Tagen.

Saturday, March 26 · 11:30am - 2:30pm

Terror in Berlin

One could call this an advance review, or just
a NOTIFICATION, about the upcoming Art Forum Berlin,

an event which, in its name, is already a challenge to the sovereignty of what is still the top art magazine and art arbiter of the world,

As I open my "" site, for personal email, I see that Berlin is especially targeted, they say, for attacks by El-Queda on US citizens.

Perpetual Art Machine at Mediations Biennial Berlin

Eraced Walls - Mediations Biennial Berlin

"Transient Limits and Shifting Boundaries"

Mediations Biennial, as part of Erased Walls, at ConcentArt EV Berlin
2 Channel Installation Curated by Raphaele Shirley and Lee Wells

PAM Artists include:
Heini Aho
, Katja Aglert
, Anonymous, Jason Archer
, George Barber
, Josephin Boettger
, Tomislav Brajnovic, Michal Brzezinski
, Rodney Dickson, Stephanie Dodes, 
Tony Hultqvist & Max Valentin, Manik, Bruno Muzzolini, 
Iris Piers
, Iva Rad
, Maria João Salema, 

Evelin Stermitz
, Tim White‐Sobieski
, and Sebastian Ziegler.

The impact of the former division of Central and Eastern Europe on the balance
of societies, in this video program, is reconsidered as a metaphor for
dichotomies, separations and alienations which can be found in palpable and
impalpable forms in our lives throughout the globe.

Beyond the Ruins of the Creative City: Berlin's Factory of Culture and the Sabotage of Rent

Matteo Pasquinelli

Coming of age in the heyday of punk, it was clear were living at the
end of something - of modernism, of the American dream, of the
industrial economy, of a certain kind of urbanism. The evidence was
all around us in the ruins of the cities... Urban ruins were the

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