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~~~~~~venus©-~Ñ~vibrator, even (part xi)


~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even (part xi)

What you find here as sound/image/text draws from my 39,907 word cyber-sex farce called ‘~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even’ - which I wrote during my artist-in-residency at the Cite des Art International in Paris during 1995. I edited it to this final version in NYC in 1999.

'Le Diable'

Michaël BELLON sent a message using the contact form at

Dear Madam, dear Sir,
Artist-painter I invite you to visit this Internet address:
You will find there a Sequence (1'04") fractionation of the painting 'Le

Digital Humanities and the case for Critical Commons



Tracey Emin: Only God Knows I’m Good at LEHMANN MAUPIN

James Kalm is slumming on the Lower East Side when he comes across this opening. Tracey Emin is a founding member of the YBAs (Young British Artists) and represented Great Britain in the 2007 Venice Biennial. Featuring over 53 works in neon, film, sculpture, embroideries and monoprints, this extensive show continues the artist’s exploration and objectification of her own sexuality, lust, longing and desire.

Urs Fischer: Marguerite de Ponty at the NEW MUSEUM

James Kalm braves fall showers and trains his way to the Bowery’s New Museum for the first major museum exhibition by Urs Fischer. Lionized as one of contemporary art’s most distinctive talents, Fischer earned the New York spotlight in 2007 by cutting a hole in the floor of Gavin Brown’s Enterprise and digging out tons of dirt leaving a gaping crater for visitors to climb into and explore. As an astute observer of spatial perception, and a master of digital technology with a mischievous sense of humor, the artist uses the most advanced commercial printing techniques to tweak space and challenge “reality”.

Technésexual - At Artivistic TURN*ON In Montreal

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