Here's a piece I did at the Democracy in America show.

Sheffield's famous Tinsley cooling towers will be demolished over the August Bank Holiday weekend, energy giant 'E.On' has announced, despite thousands of people had signed petitions to save the towers, which can be seen by motorists who use the M1.
The general publics efforts were so determined that they even filed for the two iconic concreate cooling towers to be classed as a piece of public art. This really could have worked, as they are the Sheffield equivilent to the Newcastle Angel of the North. It doesn't appear that there's much more that we can do. Eon are adamant that the towers have to come down, and have been unwilling to consider anything else all along. Nothing that we have done has changed that, not even the TV program on channel 4 or the radio interview on BBC Radio 2. The council haven't got the ambition or vision to see that these towers could be icons, that they could attract millions of people. Unless there's some sort of divine intervention, then, it looks like the cooling towers will disappear.

summer exhibition at Brooke Alexander Gallery
http://www.baeditions.com/Installation%20Views/Colab%20Redux/Colab%20Red...

Colab (officially Collaborative Projects, Inc., founded 1977) was one in a string of New York City artists’ groups that started most strongly in the 1960s. Artists’ groups have had an escalating impact on the conventional art world. Today a number have roughly equal status with prominent individuals.

[Note of disclosure: I was a member of Colab, and have published on the group’s activities.]

WAKE UP

If you make something that is of arbitrary value
buh buhbuh buhbuh buhbuh buhbuh buhbuh buhbuh buh
I wonder
In corporate commodity capitalism,
being an artist is not important
art has no value in the corporate world
What happens if you make an art that has no value.