Abu Graib abuse scandal
http://heyokamagazine.com/ArtListWebsite/ARTList-PAINTINGS.JosephNechvat...
Joseph Nechvatal's blog
TRUE and FALSE
TRUE and FALSE
TRUE and FALSE: audio art noise collage cassette released in 1985 on XOX
http://www.archive.org/details/TrueAndFalseXox-001Cassette1985
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Sleep
Sleep: Joseph Nechvatal: Sleep: Sound of Pig Music cassette release 1983
Joseph Nechvatal: Sound of Pig Music cassette release 1983
no wave audio art noise collage cassette released in 1983 on Sound of Pig Music (SOP 140)
http://www.archive.org/details/JosephNechvatalSleepSoundOfPigMusicCasset...
Joseph Nechvatal Interview
categories: interviews | Joseph Nechvatal interview
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terra incOgnitO
categories: art exhibition | announcements
cOncerning Abu Graib
terra incOgnitO
Joseph Nechvatal
March 26th – April 25th
Wm Turner gallery, Atlanta
http://www.wmturnergallery.com/
In the exhibition terra incOgnitO, computer viruses and computer-assisted paintings address a psychic departure from the shadow world connected to the abuses at Abu Graib.
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Review of ASTRONOME by Richard Foreman and John Zorn
ASTRONOME: ASTRONOMEReview of
ASTRONOME : A Night at the Opera
A Richard Foreman and John Zorn's music/theater collaboration
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Continuo blogged full ‘viral symphOny’
categories: music
blogged full ‘viral symphOny’ here: http://continuo.wordpress.com/2009/01/16/joseph-nechvatal-viral-symphony...
ECAM 2008 conference in Mexico City
ECAM 2008 conference in Mexico City
Cybism @ ECAM 2008 Mexico City
These brief words are an attempt to outline for ECAM 2008 what I am calling Cybism by stating what I take to be its underlying attributes.
Noise music
Tellus13
Noise music is a term used to describe varieties of avant-garde music and sound art that may use elements such as cacophony, dissonance, atonality, noise, indeterminacy, and repetition in their realization.
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Rhizomatic Rauschenberg : A personal appreciation on the occasion of Robert Rauschenberg's death
Rauschenberg
A personal appreciation on the occasion of Robert Rauschenberg's death
I was born in 1951, a clean slate, the same year Robert Rauschenberg accomplished his famous series of white interactive paintings. It seems to me he has been inter-filling my mind in ever since; though we never met.
I was trying to remember how I first became aware of his work: but of course it was through the mechanically reproduced. As a freshman at
Hinsdale High School I purchased a copy of Calvin Tomkins’s book "Ahead of the Game" (I still own it! – the cover incorporates "L.H.O.O.Q." by Marcel
Duchamp), in which Rauschenberg was introduced to me via Duchamp, John Cage and Jean Tinguely. I think I had been prepared to become devoted to his combination-permutation sensibility because I had been highly excited, as a 10 year old boy, by the Dada collages I had discovered in the Max Ernst exhibition I saw the summer of 1961 at the Art Institute of Chicago.
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