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Tuesday, November 15 · 8:00pm - 11:00pm
The Pink Pony
178 Ludlow Street (between Houston & Stanton)
New York, New York
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Dear All:
I'm very pleased to invite you to yet another fab screening at The Thing @ White Slab Palace (editor's note: temporarily relocated at Pink Pony due to NYPD shutdown of White Slab Palace) featuring a selection of short works by young artists with different approaches to nature, time, personal identity, substitutions, trauma, collapse. There's also a video that contains everything. Organized by Cassandra Guan and Harold Batista.


Window Gardens is a program of experimental videos that explore facets of contemporary personal space. Made on shoestring budgets, these works reflect their post-industrial context during economic austerity. In a Bohemia without its own SoHo, young artists increasingly rely on digital means to investigate issues of space. The ten featured artists belong to a generation caught up in the process of gentrification, at once its vanguard and victim. Their engagement with time-based media supplies answers to a common dilemma: where to situate creative practice outside of the art market and academic institutions? Ranging from narration to abstraction, works in this screening conjure up a precarious sense of privacy.

"Domestic Plant Limbo"
by Dmitri Hertz
3 min
Nature sounds in Tonina on the Usumacinta River, at the border between Chiapas, Mexico (near side) and Guatemala (far side). A waterproof camera and a house plant in Brooklyn, New York. Bound together in a peaceful trauma.

“House Touch”
by Taylor Shields
21 sec
House Touch shows the growth of a house and a tree. Although originally planned as a sculpture, it came to life on film. It comes from a series of animations titled Souls that were created at NSCAD in Halifax, NS.

by Cassandra Guan and Harold Batista
15 min
Quarter of an hour spent without anyone becomes filled with thoughts of everyone. On an ambling walk to the post office, she plans a birthday party and remembers to forget someone.

“Everything All At Once”
by Lily Benson in collaboration with Jim Strong
4 min
This video contains everything.

by Feliz Solomon
6 min
A brief and inadequate portrait of my mother.

By James N. Kienitz Wilkins
14 min
Amidst cell phone tones and extended loans, a woman falters through space and time, lost in New York. An unexpected guest arrives, a conversation ensues, and it is suggested that adulthood may be an extraordinary and duplicitous sequel.

“Teen Justine”
by Thomas Love
3 min
A new and improved Justine, relocating the misfortunes of virtue to the surburbs. The falsity of self expression is the source of a young boy’s resilience.

“Real Girl”
by Sunita Prasad
3 min 22 sec
This video more fully introduces my two drag personas, Sunny & Benny. Sunny is a lavender-coifed hyper-feminine girl-next-door. Benny is a city guy with style, a sort of shy charm, and hormones bubbling to the surface. In this video, Sunny works the phone answering to a mystery caller’s desires absently as she busies herself with a transformation he’ll never see. The video engages the idea of “realness” in a coded exchange of a gendered body (images and fantasies of this body) for money. Real, live, amateur bodies have a competitive edge—but the promise that the real thing will imitate the fantasy is essential. What Sunny and Benny know that the caller doesn’t is that their bodies are made-to-order and the “real” thing can never be accessed.

“Corby's Song for Kwon's iPhone”
by Kirby Mages
14 minutes
This video was made for my friend HaeAhn Kwon so that she would have something to watch on her iPod during her work commute in Seoul, Korea. It originated from a recorded Skype conversation in which HaeAhn read the Buddhist Heart Sutra aloud to me the night before I was leaving for a trip to Amsterdam. The Heart Sutra makes note of form and emptiness--the video became an expansion of this concept in relation to personal connections built, lost, and/or transformed due primarily to distances and how technology affects these connections. The video takes on various forms that substitute for pre-existing forms (i.e. television, time-telling devices, specified aspect ratios, America, etc.) As each form reaches the verge of establishment, it collapses into something else.

The video is also meant as a tribute to the all too oft unmentionable power of friendship and love to overcome these pre-existing forms in order to create new ones. Its strength during times of isolation and solitude--be it alone in a studio, alone in a new place, alone in one's own mind.