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"Splotches" (2005)
My relationship to LeWitt's work is a bit unusual. When I was coming up I detested him, along w/ the other Late Minimalists -- or so was he contextually positioned & critically aspected. At that time, the work seemed yet another desperate attempt by one of that flock to reify a movement which had become completely moribund. However as time went by & LeWitt's work developed I found my view changing. -- & do we privilege work which we came to appreciate over time after having responded negatively initially? Perhaps we do, & perhaps we should, as such work has in a sense fought for our appreciaton.
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