Editorial Guidelines – post.thing.net
THE THING has traditionally been a community of artists involved in creative discussions. post.thing.net is a continuation of that tradition.
There are many websites and portals that do an excellent job of discussing and presenting new media projects and tools. We have no desire to duplicate their efforts. Rather we like to emphasize art, art history and current ideas in art.
Announcing my exhibition
Fleur-de-lis Rectal 2010 50x50 cm peintures assistées par ordinateur sur toile
Art rétinal revisité: histoire de l'oeil
September 4th - October 2nd, 2010
at
Galerie Jean-Luc & Takako Richard
3, impasse Saint-Claude / 74, rue de Turenne 75003 Paris, France
Event Time
Friday, March 12, 2010
10:00 AM - 5:00 PM
Location
Institute for Public Knowledge
20, Cooper Square - 5th Floor
New York, NY 10003
RSVP at http://www.nyu.edu/media.culture/events/event.html?e_id=2324
NYIT Lecture/Demo Poster: Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality
Upcoming
Film Screenings & Events
The End of the Remake Trilogy
Blow Up, Stroll On
2006. Great Britain/USA. Directed by Christoph Draeger. A video remake of the club scene in Michelangelo Antonioni’s 1966 film Blow Up. 3 min.
My Generation
PHILIPPE TERRIER-HERMANN:
LE DERIVE - THE RIFT
With Simon Buret, Andy Gillet, Dimitri Capitain, Charles Delpon, Roxane Mesquida, Brady Corbet, Christian Tual and Diane de Beauveau.
Screening and Q+A in presence of the director and one of the actors, Andy Gillet.
Sunday, February 7 2010, 8 PM
at White Slab Palace
FOR IMMEDIATE RELEASE
Tuesday, December 15, 2009
Press conference: 1pm CET, Frederiksholms Kanal 4, Copenhagen
Contact: Margaret Matembe, margaret.matembe@enviro-canada.ca, +45-23960186
Coverage: Click here, or click throughout press release for specific links
Videos:
Canadian announcement (hi-res download)
Ugandan response (hi-res download)
first day of class at BHQFU
In response to Alan W. Moore's critique of their show at Susan Inglett Gallery and my response to said critique, the Bruce High Quality Foundation sent the following note:
Hey Steve,
Thanks for sending this, and thank Alan too for his criticisms. They are well warranted if one is expecting the exhibition to provide a clear argument for what the school is, why it is, or how it got there. For better or worse, we decided against doing that. The school decided to let the school be the school and let the exhibition take a more tongue in cheek, poetic approach to self-representation.
Whatever one feels about that decision, the university itself is a different animal, one that thrives on the kind of conversation you and Alan seem invested in participating in. We will be having our final BYOU meeting of the semester this coming Tuesday and we'd be happy to see you both there. We start at 7 and stop when it's over.
Best,
BHQF
Thu Dec 10, 7-9pm
White Box, 329 Broome St.
LOVE, PIRACY, AND THE OFFICE OF RELIGIOUS WEBLOG EXPANSION
a participatory installation
On a censor's desk lie stacks of identical books awaiting redaction. In
each book, a provocative text - the transcript of an interview with
Iranian philosopher Ali Alizadeh - is censored by hand. The censorship
Not long ago, Internet art was the latest thing. Today it seems historical, along with postmodernism and New Media. Until its peak in the mid 1990’s, Internet art had a scent of the future. It was invested – symbolically and economically – with the capacity to signify and even prefigure a glorious global future for all.
