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mystery around Constantin Brâncuși’s “Le Baiser” (The Kiss, 1909) at the cimetière du Montparnasse

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Constantin Brâncuși’s “Le Baiser” at the cimetière du MontparnasseConstantin Brâncuși’s “Le Baiser” at the cimetière du Montparnasse

My report on the mystery around Constantin Brâncuși’s “Le Baiser” (The Kiss, 1909) at the cimetière du Montparnasse
https://hyperallergic.com/434954/constantin-brancusi-paris-cemetery-boxe...


Michelangelo and the Virtual

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Michelangelo, “Studies for Sistine Ceiling” (circa 1508-12), collection of The Cleveland Museum of ArtMichelangelo, “Studies for Sistine Ceiling” (circa 1508-12), collection of The Cleveland Museum of Art
Art review of Michelangelo: Divine Draftsman and Designer at the Metropolitan Museum of Art

https://hyperallergic.com/424815/michelangelo-traces-the-states-of-being...


Review of Dada Africa: Non-Western Sources and Influences

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Hannah Hoch, “From the Collection of an Ethnographic Museum No. IX” (1929) collageHannah Hoch, “From the Collection of an Ethnographic Museum No. IX” (1929) collage

Art review of Dada Africa: Non-Western Sources and Influences at Musée de l’Orangerie, Paris
https://hyperallergic.com/425850/the-dadaists-fevered-dreams-of-africa/


Review of Pop Art: Icons that Matter

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Andy Warhol, “Electric Chair” (1971), silkscreen, 90 × 121.6 cm, donated by Peter M. Brant (© Adagp, Paris, 2017)Andy Warhol, “Electric Chair” (1971), silkscreen, 90 × 121.6 cm, donated by Peter M. Brant (© Adagp, Paris, 2017)
My art review of Pop Art: Icons that Matter https://hyperallergic.com/421128/pop-goes-the-ugly-american-stereotypes/


Computer Virus 1.0 and the Return of Lazarus

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partial installation view Galerie Richard 121 Orchard Street NYCpartial installation view Galerie Richard 121 Orchard Street NYC
JOSEPH NECHVATAL
Computer Virus 1.0 and the Return of Lazarus
***
Galerie Richard
121 Orchard Street NYC 10002
https://www.galerierichard.com
***
Vernissage November 8th (6 - 8 pm)
November 8th to December 10th 2017
***


Review of Fernand Léger retrospective that blurred the line between human and machine

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Fernand Leger and Dudley Murphy, Ballet mecanique, 1924Fernand Leger and Dudley Murphy, Ballet mecanique, 1924

Art review of a major retrospective of Fernand Léger that reveals how the French artist anticipated the increasingly blurred line between human and machine.

https://hyperallergic.com/391612/fernand-leger-centre-pompidou-metz/


Les 10 Notícies | Els ciberatacs a Internet, a l'art

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Les 10 NotíciesLes 10 Notícies
My virus project has been featured in a 6 minute segment on betevé Barcelona TV by Joan-Francesc Ainaud‏

Les 10 Notícies | Els ciberatacs a Internet, a l'art https://youtu.be/ket1vXK6S-Y


Reviewing Archéonauts

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Eduardo Kac, “Reabracadabra” (1985/2015), 24.5 x 25 x 24.5 cm, Minitel animation loop (courtesy Galerie Charlot)Eduardo Kac, “Reabracadabra” (1985/2015), 24.5 x 25 x 24.5 cm, Minitel animation loop (courtesy Galerie Charlot)
Art review of Archéonauts at Galerie Charlot https://hyperallergic.com/379345/post-internet-artists-crack-open-our-te...


Golem!

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Walter Schulze-Mittendorff, “Robot from Fritz Lang’s film Metropolis” (1926), copy created by the Louvre in 1994, résine peinte,Walter Schulze-Mittendorff, “Robot from Fritz Lang’s film Metropolis” (1926), copy created by the Louvre in 1994, résine peinte,
Art review of Golem! Avatars d’une légende d’argile at Musée d’art et d’histoire du Judaïsme (Paris)


The Timeless Blackness of Balenciaga

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Cristóbal Balenciaga, l’oeuvre au noir detailCristóbal Balenciaga, l’oeuvre au noir detail
My review of Cristóbal Balenciaga, l’oeuvre au noir at Musée Bourdelle https://hyperallergic.com/374955/the-timeless-blackness-of-balenciagas-d...


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