Kunstverein Schwaebisch Hall
September 16 - November 4, 2018
The work of Philippe Thomas' agency "readymades belong to everyone"
runs like a leitmotif throughout this exhibition. Philippe Thomas
(1952-1995) came to art in the 80s via literature and was
influenced by media, advertising, publicity and fiction. The artist
"Saddest day of the year for music. Even Bowie and L. Cohen death can't beat
that."
"Mate, I can't take it, lost Prince this year, Trump got elected, Brexit and my
dad died - but this is by far the worst fucking thing, I can't even compute."
"This is the worst event of 2016. End of discussion. The library of Alexandria
for digital music has been burnt to the ground."
Now at Film Forum:
DREAMS REWIRED
DIRECTED BY MANU LUKSCH, MARTIN REINHART, AND THOMAS TODE
Deadline: 20th September 2015
UN|COMMONS
The Fight For Common Wealth | October 22-24
Workshops, Talks, Performances + Cooking
Volksbuehne at Rosa-Luxemburg Platz | Berlin
Water and food, data and networks, medicine
and cultural assets: Who owns these resources?
Who ought to? Who has access and whose access
"The Left, with Marx its original prophet, has always warned
that, as a system, capitalism strives to turn us into automata and
our market society into a Matrix-like dystopia. But the closer it
comes to achieving its aim, the nearer it gets to its moment of
ruin, very much like the mythical Icarus."
Aufruf zur Alternative
Joseph Beuys 12/1978
Erstveröffentlichung in der Frankfurter Rundschau am 23. 12. 1978
EXPERIMENTAL INTERMEDIA
The Forty-first Anniversary of EI performances at 224 Centre Street, The Forty-sixth Anniversary of the Founding of Experimental Intermedia, the Forty-sixth Anniversary of the 224 Centre Street loft, and, not least, The Twenty-fifth Annual Festival with no fancy name, Part Two (or B)
