The Lovers (1991)

“Conical Intersect” (1975) photo-collage
My art review of Gordon Matta-Clark: Anarchitect at the Jeu de Paume has been published at Hyperallergic here:
https://hyperallergic.com/458566/40-years-after-his-death-gordon-matta-c...

Development of a delusion (1961)
Art review of Agustin Fernandez, Paradoxe de la Jouissance at Mairie du 4e arrondissement, 2, place Baudoyer 75004 Paris
April 26 - June 16, 2018 has been published at Hyperallergic as The Erotically Charged Technophilia of Cyberpunk Paintings
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Joca Geringer “Untitled” (2013) 42x30cm, pencil on paper, private collection
My review of the art brut Turbulence in the Balkans show at Halle Saint Pierre in Paris has been published at Hyperallergic
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https://hyperallergic.com/444252/turbulences-dans-les-balkans-halle-sain...

Cindy Sherman, “Untitled (Bus Riders)” (1976) photograph
My art review of the multi-decade self-portraiture show Dancing with Myself at Pinault Collection, Punta della Dogana, Venice, Italy has been published at Hyperallergic
https://hyperallergic.com/444066/dancing-with-myself-punta-della-dogana-...

Kader Attia & Jean-Jacques Lebel exhibition L’Un et l’Autre (One and Other)
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Art review of the Kader Attia & Jean-Jacques Lebel exhibition L’Un et l’Autre (One and Other) at the Palais de Tokyo in Paris has been published at Hyperallergic
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Brigitte Bardot and The Prism 1968

Review of Nicolas Schöffer Retroprospective at Lille Métropole Museum of Modern, Contemporary and Outsider Art (LaM)
https://hyperallergic.com/440598/nicolas-schoffer-retroprospective/

Cecil Taylor
Cecil Taylor's music for me was a combination of tenderness and strength. As he has passed away, I have decided to put on my blog my 2002 review of Cecil Taylor in concert at Alice Tully Hall that appears in my book Immersion Into Noise 

Michelangelo, “Studies for Sistine Ceiling” (circa 1508-12), collection of The Cleveland Museum of Art
Art review of Michelangelo: Divine Draftsman and Designer at the Metropolitan Museum of Art

https://hyperallergic.com/424815/michelangelo-traces-the-states-of-being...

Hannah Hoch, “From the Collection of an Ethnographic Museum No. IX” (1929) collage

Art review of Dada Africa: Non-Western Sources and Influences at Musée de l’Orangerie, Paris
https://hyperallergic.com/425850/the-dadaists-fevered-dreams-of-africa/