Oskar Schlemmer, “Dance de l’espace” (1927) (© 2016 Oskar Schlemmer, Photo Archive C. Raman Schlemmer)

Art review of Oskar Schlemmer: L’homme qui danse (Dancing Man) at the Centre Pompidou-Metz
http://hyperallergic.com/347823/oskar-schlemmers-prophetic-dancing-robot...

Annette Messager, “Fuck your Morals” (2016), composition of two drawings, acrylic on paper, 21 7/8 x 27 15/16 in
Review of Annette Messager: À mon seul désir at Marian Goodman (Paris)
http://hyperallergic.com/344804/a-uterus-flipping-the-bird-and-other-ima...

Hugo Aveta’s free flowing green video animation “Basic Rhythms Subversion of the Soul” (2014)
My review of Soulèvements (Uprisings) at the Jeu de Paume has been published at Hyperallergic http://hyperallergic.com/339987/the-power-of-protest-art-from-goya-to-po...

Le Magasin 1958 © Ben Vautier ADAGP Paris.jpg
My art review of Ben: Tout est art? (All is Art?) at the Musée Maillot, Paris published at Hyperallergic
http://hyperallergic.com/335411/a-radical-artists-journey-from-fluxus-to...

One of Anna Halprin’s dancers holding a pose inspired by an Auguste Rodin sculpture

Review of Ruedi Gerber’s film Journey in Sensuality : Anna Halprin and Rodin at Hyperallergic
http://hyperallergic.com/328360/dancing-rodins-sensual-poses/

Installation view of Beat Generation at the Centre Pompidou

My review of the Beat Generation show at the Centre Pompidou
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http://hyperallergic.com/324626/tracking-the-beat-generation-across-thre...

Daniel Buren, “Observatory of Light” (2016), work in situ at the Fondation Louis Vuitton, Paris (© DB-ADAGP Paris / Iwan Baan /
Review of Daniel Buren’s Observatory of Light at Fondation Louis Vuitton
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http://hyperallergic.com/322774/how-daniel-burens-institutional-critique...

Installation view of ‘Ugo Rondinone: Becoming Soil’ at the Carré d’Art

Review of Ugo Rondinone: Becoming Soil at the Carré d’Art Nîmes

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http://hyperallergic.com/322413/ugo-rondinones-fragments-of-nature-mourn...

Velvet Underground & Nico with Andy Warhol in the Hollywood Hills 1966© Gerard Malanga Courtesy Galerie Caroline Smulders Paris

Review of The Velvet Underground: New York Extravaganza at the Philharmonie de Paris
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Published at Hyperallergic
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André Masson, “Le génie de l’espèce” (“The Genius of the Species,” 1939)

On André Masson’s Tortured and Sensuous Automatic Drawings

http://hyperallergic.com/311923/andre-massons-tortured-and-sensuous-auto...