My art review of Pop Art: Icons that Matter https://hyperallergic.com/421128/pop-goes-the-ugly-american-stereotypes/
My art review of Pop Art: Icons that Matter https://hyperallergic.com/421128/pop-goes-the-ugly-american-stereotypes/
Art review of a major retrospective of Fernand Léger that reveals how the French artist anticipated the increasingly blurred line between human and machine.
https://hyperallergic.com/391612/fernand-leger-centre-pompidou-metz/
Art review of Archéonauts at Galerie Charlot https://hyperallergic.com/379345/post-internet-artists-crack-open-our-te...
Art review of Golem! Avatars d’une légende d’argile at Musée d’art et d’histoire du Judaïsme (Paris)
My review of Cristóbal Balenciaga, l’oeuvre au noir at Musée Bourdelle https://hyperallergic.com/374955/the-timeless-blackness-of-balenciagas-d...
Taney Roniger writes beautifully in Whitehot Magazine of Contemporary Art on my painting penelOpe pandemOnium when shown at Galerie Richard in New York City at 121 Orchard Street.
https://whitehotmagazine.com/articles/joseph-nechvatal-s-penelope-pandem...
Review of Paolo Woods and Gabriele Galimberti’s Les Paradis, rapport annuel at the Centre Assas at the Université Paris II Panthéon-Assas (92 rue d’Assas, 5th arrondissement, Paris)
Book review of Maria Stavrinaki's Dada Presentism: An Essay on Art and History https://hyperallergic.com/368656/the-dada-gaze-into-the-eternal-now/
Book review of The Apparently Marginal Activities of Marcel Duchamp by Elena Filipovic
http://hyperallergic.com/359472/from-seminal-fluid-to-sassy-scribbles-th...
Review of Laurent Grasso film Elysée at Espace Saint-Claude Galerie Perrotin
http://hyperallergic.com/350229/an-exclusive-glimpse-of-a-gilded-salon-o...