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How Artists Portrayed Prostitution in 19th-Century Paris

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François-Rupert Carabin (1862-1932) Groupe de quatre femmes nues, entre 1895 et 1910 Épreuve sur papier albuminé, 17,3 x 12 cm PFrançois-Rupert Carabin (1862-1932) Groupe de quatre femmes nues, entre 1895 et 1910 Épreuve sur papier albuminé, 17,3 x 12 cm P

How Artists Portrayed Prostitution in 19th-Century Paris

http://hyperallergic.com/264313/how-artists-portrayed-prostitution-in-19...


Olafur Eliasson’s Sundial of Melting Icebergs Clocks In at Half-Past Wasteful

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Olafur Eliasson and Minik Rosing, “Ice Watch” (2015) (photo by Martin Argyroglo, © 2015 Olafur Eliasson)Olafur Eliasson and Minik Rosing, “Ice Watch” (2015) (photo by Martin Argyroglo, © 2015 Olafur Eliasson)
Olafur Eliasson’s Sundial of Melting Icebergs Clocks In at Half-Past Wasteful

http://hyperallergic.com/260217/olafur-eliassons-sundial-of-melting-iceb...


Review of UGO RONDINONE : I ♥ JOHN GIORNO

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Judith Eisler, “John” (2008) oil on canvas, 122 x 152 cm, collection of Wade Guyton, courtesy of Sarah GavlakJudith Eisler, “John” (2008) oil on canvas, 122 x 152 cm, collection of Wade Guyton, courtesy of Sarah Gavlak

Review of UGO RONDINONE : I ♥ JOHN GIORNO

http://hyperallergic.com/263030/a-show-of-love-for-john-giornos-poetry-a...


Review of Tomás Saraceno Aerocene: Around the world to change the world

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Tomás Saraceno Aerocene: Around the world to change the worldTomás Saraceno Aerocene: Around the world to change the world
Review of Tomás Saraceno Aerocene: Around the world to change the world at the Grand Palais, 3 Avenue du Général Eisenhower Paris during The United Nations Climate Change Conference COP21 published at Hyperallergic


The Pompidou’s Permanent Collection, Reinstalled Along the Lines of Art Theory

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Georges Bataille, 1897-1962 photo by Erwin Blumenfeld, "Le dictateur" (1937)Georges Bataille, 1897-1962 photo by Erwin Blumenfeld, "Le dictateur" (1937)
New Presentation of the Modern Collection (1905 to 1965)
Musée National d'Art Moderne
Centre Pompidou (Level 5)
***
Ends November 27th 2015
***
Published at Hyperallergic.com


An Open Letter to Frank Stella on the Occasion of His Whitney Retrospective

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Frank Stella Whitney RetrospectiveFrank Stella Whitney Retrospective
An Open Letter to Frank Stella on the Occasion of His Whitney Retrospective

http://hyperallergic.com/253681/an-open-letter-to-frank-stella-on-the-oc...


Review of Céleste Boursier-Mougenot: Acquaalta at Palais de Tokyo

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Installation view of ‘Acquaalta’ at the Palais de Tokyo (photo by Laurent Lecat)Installation view of ‘Acquaalta’ at the Palais de Tokyo (photo by Laurent Lecat)
Review of Céleste Boursier-Mougenot: Acquaalta
at Palais de Tokyo
http://hyperallergic.com/232412/mourning-the-death-of-art-on-the-river-s...


Book Review: Anne Garréta’s novel Sphinx

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Anne Garréta’s novel SphinxAnne Garréta’s novel Sphinx
Book Review:

Anne Garréta’s novel Sphinx

Published by Deep Vellum Publishing, 2015

Translated by Emma Ramadan


Review of Pol Bury: Instants donnés

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“12 et 13 cordes verticales et leur cylinder” (1973) Bois et nylon, 141 x 50 x 25 cm © Collection Sylvie Baltazart-Eon 20- 17 co“12 et 13 cordes verticales et leur cylinder” (1973) Bois et nylon, 141 x 50 x 25 cm © Collection Sylvie Baltazart-Eon 20- 17 co
My art review of Pol Bury: Instants donnés at the Espace Fondation EDF

http://hyperallergic.com/229750/kinetic-sculpture-that-moves-at-a-snail-...


Essay/Review : Lascaux à Paris

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Lascaux à ParisLascaux à Paris

Essay/Review : Lascaux à Paris

Published at Hyperallergic.com : What the Lascaux Caves Facsimiles Fail to Capture

http://hyperallergic.com/227969/what-the-lascaux-caves-facsimiles-fail-t...


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