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Review of Oskar Schlemmer: L’homme qui danse

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Oskar Schlemmer, “Dance de l’espace” (1927) (© 2016 Oskar Schlemmer, Photo Archive C. Raman Schlemmer)Oskar Schlemmer, “Dance de l’espace” (1927) (© 2016 Oskar Schlemmer, Photo Archive C. Raman Schlemmer)

Art review of Oskar Schlemmer: L’homme qui danse (Dancing Man) at the Centre Pompidou-Metz
http://hyperallergic.com/347823/oskar-schlemmers-prophetic-dancing-robot...


Review of Annette Messager: À mon seul désir

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Annette Messager, “Fuck your Morals” (2016), composition of two drawings, acrylic on paper, 21 7/8 x 27 15/16 inAnnette Messager, “Fuck your Morals” (2016), composition of two drawings, acrylic on paper, 21 7/8 x 27 15/16 in
Review of Annette Messager: À mon seul désir at Marian Goodman (Paris)
http://hyperallergic.com/344804/a-uterus-flipping-the-bird-and-other-ima...


Uprisings at the Jeu de Paume

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Hugo Aveta’s free flowing green video animation “Basic Rhythms Subversion of the Soul” (2014)Hugo Aveta’s free flowing green video animation “Basic Rhythms Subversion of the Soul” (2014)
My review of Soulèvements (Uprisings) at the Jeu de Paume has been published at Hyperallergic http://hyperallergic.com/339987/the-power-of-protest-art-from-goya-to-po...


Review of Ben: Tout est art? (All is Art?)

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Le Magasin 1958 © Ben Vautier ADAGP Paris.jpgLe Magasin 1958 © Ben Vautier ADAGP Paris.jpg
My art review of Ben: Tout est art? (All is Art?) at the Musée Maillot, Paris published at Hyperallergic
http://hyperallergic.com/335411/a-radical-artists-journey-from-fluxus-to...


Review of Ruedi Gerber’s film Journey in Sensuality : Anna Halprin and Rodin

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One of Anna Halprin’s dancers holding a pose inspired by an Auguste Rodin sculptureOne of Anna Halprin’s dancers holding a pose inspired by an Auguste Rodin sculpture

Review of Ruedi Gerber’s film Journey in Sensuality : Anna Halprin and Rodin at Hyperallergic
http://hyperallergic.com/328360/dancing-rodins-sensual-poses/


Review of Beat Generation at the Centre Pompidou

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Installation view of Beat Generation at the Centre PompidouInstallation view of Beat Generation at the Centre Pompidou

My review of the Beat Generation show at the Centre Pompidou
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http://hyperallergic.com/324626/tracking-the-beat-generation-across-thre...


Review of Daniel Buren’s Observatory of Light at Fondation Louis Vuitton

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Daniel Buren, “Observatory of Light” (2016), work in situ at the Fondation Louis Vuitton, Paris (© DB-ADAGP Paris / Iwan Baan /Daniel Buren, “Observatory of Light” (2016), work in situ at the Fondation Louis Vuitton, Paris (© DB-ADAGP Paris / Iwan Baan /
Review of Daniel Buren’s Observatory of Light at Fondation Louis Vuitton
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http://hyperallergic.com/322774/how-daniel-burens-institutional-critique...


Review of Ugo Rondinone: Becoming Soil at the Carré d’Art Nîmes

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Installation view of ‘Ugo Rondinone: Becoming Soil’ at the Carré d’ArtInstallation view of ‘Ugo Rondinone: Becoming Soil’ at the Carré d’Art

Review of Ugo Rondinone: Becoming Soil at the Carré d’Art Nîmes

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http://hyperallergic.com/322413/ugo-rondinones-fragments-of-nature-mourn...


Review of The Velvet Underground: New York Extravaganza

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Velvet Underground & Nico with Andy Warhol in the Hollywood Hills 1966© Gerard Malanga Courtesy Galerie Caroline Smulders ParisVelvet Underground & Nico with Andy Warhol in the Hollywood Hills 1966© Gerard Malanga Courtesy Galerie Caroline Smulders Paris

Review of The Velvet Underground: New York Extravaganza at the Philharmonie de Paris
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Published at Hyperallergic
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André Masson’s Tortured and Sensuous Automatic Drawings

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André Masson, “Le génie de l’espèce” (“The Genius of the Species,” 1939)André Masson, “Le génie de l’espèce” (“The Genius of the Species,” 1939)

On André Masson’s Tortured and Sensuous Automatic Drawings

http://hyperallergic.com/311923/andre-massons-tortured-and-sensuous-auto...


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