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Review of DEEP TRANCE BEHAVIOR IN POTATOLAND
(A RICHARD FOREMAN THEATER MACHINE)
by Joseph Nechvatal
DEEP TRANCE BEHAVIOR IN POTATOLAND

(from the New York Times, May 20, 2007)
An Actor Out Standing in His Field
By SALLY McGRANE
Joachimsthal, Germany
On a cloudless, unseasonably warm spring Saturday a smattering of applause broke out as the American actor David Barlow came trudging over the slight incline in a one-and-a-quarter-acre field in this town in the rural, former East German region of Brandenburg. Wearing the period costume of a 1950s East German farmer, Mr. Barlow, whose last role was as Edgar in the Kansas City Repertory Theater’s production of “King Lear,” carried a six-foot, four-pronged wooden Reihenzieher, a kind of giant rake used for making seed rows in the absence of tractors or horses. When he reached the end of the field, Mr. Barlow paused, raised the instrument over his head and swung it to the ground. The applause intensified. Without a word Mr. Barlow began the project that would consume the next several hours: dragging the rake up and down the entire field.
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Richard Foreman's new mixed-media play WAKE UP MR. SLEEPY! YOUR UNCONSCIOUS MIND IS DEAD! purports to be a response to a world in which visionary sages and poets are being replaced by specialists who make platitudes out of the immediately observable. Supposedly here the unconscious fights back to life in a shape resembling "the stone that rolls up the hill backwards" (the evil one) and from such "evil", life renews itself.
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