Tellus 20 Media Myth
Tellus #20 Media Myth
has been web published as mp3s at
http://www.ubu.com/sound/tellus_20.html

Curated by Joseph Nechvatal

Cover art by Steve Parrino

Total time: 64:38
First published on cassette tape in 1988 by Tellus

01 Randy Greif ‘The Rift In The Earth’ (8:15)

Christine Buci-Glucksmann by Joseph Nechvatal
Joseph Nechvatal on the Influence of Gilles Deleuze

Web published at The Houston Literary Review
March 2008 Featured Artist Page
http://thehoustonliteraryreview.com/Joseph_Nechvatal_March_2008.aspx

Martha Trivizas interviews Joseph Nechvatal

MT: What do you think of the writing trend in which the assumption is that of technology as being inseparable from us as human beings?

Review of DEEP TRANCE BEHAVIOR IN POTATOLAND
(A RICHARD FOREMAN THEATER MACHINE)
by Joseph Nechvatal
DEEP TRANCE BEHAVIOR IN POTATOLAND

Review ofRyoji Ikeda
Datamatics [ver 2.0]
Centre Pompidou, Paris
October 29th 2007 20h30

Determined Indeterminancy
A review of
THE THIRD MIND at Le Palais de Tokyo
Curated by Ugo Rondinone
By Joseph Nechvatal

THE THIRD MIND
Le Palais de Tokyo
13, avenue du président Wilson 75116 Paris
September 7th – January 8th

IF/THEN
A Book Review of “Digital Contagions: A Media Archaeology of Computer Viruses” by Jussi Parikka (Peter Lang Books, 2007, 327 pages) by Joseph Nechvatal

{loop:file = get-random-executable-file;
if first-line-of-file = then goto loop;
prepend virus to file;}

2007 Almanac of Political Art is ready to download at
http://www.reunionprojects.org.uk

Editor at large: Sophie Hope

Guest Editors: Leigh French, Adam Jeanes and Simona Nastac

Production Team: Valentina Gottardi, Ann Harezlak and Lucy Parker

The Parallax View
by Slavoj Zizek (MIT Press)
Reviewed by Frederic Jameson

The process of picking up the threads of a project from 14 year ago, Faux Conceptual Art, is quite interesting. I’ve been framing the works, re-photographing them and creating new pieces. Looking at four works I see similar themes and ideas emerging. The pieces, Fibonacci Series With Calculators, Sit On, Price List and Not Here, have never been exhibited other than being presented on the web. This is a very strange idea. The whole web site, Faux Conceptual Art is a work that is a proposition. It is also in some measure a critique of the art market. Since re-engaging the works I am plodding along at a leisurely rate like a sort of anthropologist trying to piece together what I was thinking. This becomes fairly interesting because the world has changed, art discourse has advanced, and I have gone through many stages in that time.