art in the age of digital distribution
kunst unter den verhältnissen digitaler distribution
artist talk at newthinking store
künstlergespräche bei newthinking

art in the age of digital distribution
kunst unter den verhältnissen digitaler distribution
artist talk at newthinking store
künstlergespräche bei newthinking

art in the age of digital production
kunst unter den verhältnissen digitaler produktion
artist talk at newthinking store
künstlergespräche bei newthinking

art in the age of digital distribution
kunst unter den verhältnissen digitaler distribution
artist talk at newthinking store
künstlergespräche bei newthinking
reframing the avant-garde
there is a young artist, who paints black and white reproductions from artforum magazines
from the 60's and early 70's. when i met him, he told me he had no ironic or critical

art in the age of digital distribution
kunst unter den verhältnissen digitaler distribution

artist talk at newthinking store
künstlergespräche bei newthinking

From: susanne gerber
Date: January 29, 2008 10:52:08 PM GMT+01:00
To: rohrpost mailingliste
Subject: Medienkunst gibt es nicht / Einladung

On Jan 29, 2008, at 10:14 AM, Caspar Clemens Mierau wrote

artist talk at newthinking store
künstlergespräche bei newthinking
anna kournikova deleted by memeright trusted system
art in the age of intellectual property
anna kournikova deleted by memeright trusted system
kunst im zeitalter des geistigen eigentums
this is the title of an exhibition in the hartware medienkunstverein in dortmund (19 july to

art in the age of digital distribution
kunst unter den verhältnissen digitaler distribution
artist talk at newthinking store
künstlergespräche bei newthinking
the internet, which is central to many contemporary art projects, is itself composed of a
hetrogeneous and a constantly changing assortment of computers, database applications,

>>>SPANISH>>>ENGLISH>>

>>>>PLEASE PASS FOREWORD>>>>

¡Valoriza la familia! ¡Para la crimegración! ¡Alto a la legislación del amor!

Acción electrónica contra el ICE y la Proposición #8: Una protesta virtual
de tres días para ¡DERECHOS HUMANOS PARA TODOS!

Desde el 20 de noviembre al 23 de noviembre de 2008

¡Alto a la violencia literal y simbólica en contra de familias de

November 18, 2008 marked the 24th and final chapter of THE ART CRITIC, Peter Plagen's roman a clef set in the New York art world, that has been syndicated on Artnet.com. An archive of all installments can he found here.

In Chapter 24, we find the critic in compromised straits, having lost the dream girl - the daughter of a wealthy collector and publisher who has recently purchased the very magazine where the critic publishes his writing - to a sculptor that he reviewed in that self same magazine.

We follow the critic on a brief Southwestern jaunt during which he gets all uppity about the regional cowboys-and-Indians vernacular. Upon returning to New York, he learns of the death of a female painter with whom he was close, and of a painting she left him that was discovered posthumously. The critic participates in a "Visual Culture" panel at an SVA sort of institution.

The critic learns that his article about the sculptor (to whom he lost the girl) influenced the sale of that sculptor's room-sized installation to the collector/publisher/father of the girl. The novel ends with a chance meeting between the publisher and the critic, which intends to tie up the fates of the main characters who have been threading through the narrative. Phrases like "You're cursed with integrity" and "It’s a brand new world out there" are bandied about. Finally, the critic hits the galleries, as "there were still a few exhibitions he could catch before closing time.

The End."