Cindy Sherman, “Untitled (Bus Riders)” (1976) photograph
My art review of the multi-decade self-portraiture show Dancing with Myself at Pinault Collection, Punta della Dogana, Venice, Italy has been published at Hyperallergic
https://hyperallergic.com/444066/dancing-with-myself-punta-della-dogana-...

Kader Attia & Jean-Jacques Lebel exhibition L’Un et l’Autre (One and Other)
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Art review of the Kader Attia & Jean-Jacques Lebel exhibition L’Un et l’Autre (One and Other) at the Palais de Tokyo in Paris has been published at Hyperallergic
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Brigitte Bardot and The Prism 1968

Review of Nicolas Schöffer Retroprospective at Lille Métropole Museum of Modern, Contemporary and Outsider Art (LaM)
https://hyperallergic.com/440598/nicolas-schoffer-retroprospective/

Cecil Taylor
Cecil Taylor's music for me was a combination of tenderness and strength. As he has passed away, I have decided to put on my blog my 2002 review of Cecil Taylor in concert at Alice Tully Hall that appears in my book Immersion Into Noise 

Constantin Brâncuși’s “Le Baiser” at the cimetière du Montparnasse

My report on the mystery around Constantin Brâncuși’s “Le Baiser” (The Kiss, 1909) at the cimetière du Montparnasse
https://hyperallergic.com/434954/constantin-brancusi-paris-cemetery-boxe...

Michelangelo, “Studies for Sistine Ceiling” (circa 1508-12), collection of The Cleveland Museum of Art
Art review of Michelangelo: Divine Draftsman and Designer at the Metropolitan Museum of Art

https://hyperallergic.com/424815/michelangelo-traces-the-states-of-being...

Hannah Hoch, “From the Collection of an Ethnographic Museum No. IX” (1929) collage

Art review of Dada Africa: Non-Western Sources and Influences at Musée de l’Orangerie, Paris
https://hyperallergic.com/425850/the-dadaists-fevered-dreams-of-africa/

Andy Warhol, “Electric Chair” (1971), silkscreen, 90 × 121.6 cm, donated by Peter M. Brant (© Adagp, Paris, 2017)
My art review of Pop Art: Icons that Matter https://hyperallergic.com/421128/pop-goes-the-ugly-american-stereotypes/

partial installation view Galerie Richard 121 Orchard Street NYC
JOSEPH NECHVATAL
Computer Virus 1.0 and the Return of Lazarus
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Galerie Richard
121 Orchard Street NYC 10002
https://www.galerierichard.com
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Vernissage November 8th (6 - 8 pm)
November 8th to December 10th 2017
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Fernand Leger and Dudley Murphy, Ballet mecanique, 1924

Art review of a major retrospective of Fernand Léger that reveals how the French artist anticipated the increasingly blurred line between human and machine.

https://hyperallergic.com/391612/fernand-leger-centre-pompidou-metz/