VIRAL SYMPHONY
viral symphOny (2006-2008), my 1 hour 40 minute collaborative electronic noise music symphony, created using custom artificial life C++ software based on the viral phenomenon model, is available to the world for free here: https://archive.org/details/ViralSymphony

The Lovers (1991)

VIRAL VENTURE

Joseph Nechvatal on Viractuality in 2000

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My art theory / art history paper "Before and Beyond the Bachelor Machine" has been published in Arts as part of the Special Issue "The Machine as Art (in the 20th Century)” at MDPI here: https://www.mdpi.com/2076-0752/7/4/67/htm

Kunstverein Schwaebisch Hall
September 16 - November 4, 2018

The work of Philippe Thomas' agency "readymades belong to everyone"
runs like a leitmotif throughout this exhibition. Philippe Thomas
(1952-1995) came to art in the 80s via literature and was
influenced by media, advertising, publicity and fiction. The artist

“Conical Intersect” (1975) photo-collage
My art review of Gordon Matta-Clark: Anarchitect at the Jeu de Paume has been published at Hyperallergic here:
https://hyperallergic.com/458566/40-years-after-his-death-gordon-matta-c...

Ryoji Ikeda: continuum
Review of Ryoji Ikeda: continuum installation at the Centre Pompidou
https://hyperallergic.com/453442/ryoji-ikeda-continuum-centre-pompidou/

Development of a delusion (1961)
Art review of Agustin Fernandez, Paradoxe de la Jouissance at Mairie du 4e arrondissement, 2, place Baudoyer 75004 Paris
April 26 - June 16, 2018 has been published at Hyperallergic as The Erotically Charged Technophilia of Cyberpunk Paintings
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Joca Geringer “Untitled” (2013) 42x30cm, pencil on paper, private collection
My review of the art brut Turbulence in the Balkans show at Halle Saint Pierre in Paris has been published at Hyperallergic
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https://hyperallergic.com/444252/turbulences-dans-les-balkans-halle-sain...