This past weekend and the weekend before that the #2 Uptown subway turned into the #5 Downtown at Bowling Green. While the logic of this escaped me I endeavored to be a good old-fashioned New Yorker, didn't question, followed the signs and found myself headed back to Brooklyn instead of my job at Herald Square making me late. The second time it happened I duped a then very irate man into following me onto the #4 and buried my face in my crossword puzzle until I could escape his wrath. Hey, man, I'm late for work, too! And my job is more important than your job ... Isn't it obvious from my black suit? Didn't you ever watch the X Files?
Hm, well, whatever. I worked both nights Radiohead played across the Hudson River at the All Points West Festival. When I whined about it to my co-workers (not that I would have gone if I was off) none of them knew who Radiohead was.
I'd planned to write about Tracy Emin's "My Bed", here a shot from "Tracey Emin: 20 Years," Aug. 2-Nov. 9, 2008, at the National Scottish Gallery of Modern Art, Edinburgh, filched from http://www.artnet.com (thanks Walter) but got distracted by work and miserable allergies that make my bed look almost, but not quite, as derelect. I'd seen the installation around the time it was made at Lehman Maupin when they were in Soho but I don't remember the noose. Perhaps it's an homage, of sorts, to the Scots. I dunno. I grew up with lots of "cultural" Scots who celebrated the fantasy Scotland of Robbie Burns' birthday, plaid kilts and bagpipes. I was christened Robbie by my Irish father in honor of the poet and in rebellion to the Irish Catholicism he hated. So as I sneeze and wheeze and make a mess of my domestic nest I solute both Tracy and Radiohead, among others, for seeing me though rough times by envisioning an even worse world and laughing about it.
Meanwhile I read Cold War spy novels (Len Deighton, Frederick Forsythe, John le Carre) and miss the KGB terribly. Oops, looks like Russia missed that time, too! Geography was much simpler when we didn't have to remember all those "stans" and Georgia was where Jimmy Carter and his white trash family hailed from. Islamists are no Stassis.
I wonder about the parameters of the Emin installation. According to the Callahan Decision homeless shelters have to provide you with a minimum of 60 square feet:
(i)
In single occupancy sleeping rooms, a minimum of 80 square feet
per resident shall be provided;
(ii)
In sleeping rooms for two or more residents, a minimum of 60
square feet per resident shall be provided;
(iii) A minimum of 3 feet, which is included in the per resident
minima, shall be maintained between beds and for aisles;
(iv)
Partitions separating sleeping areas from other areas shall be
ceiling high and smoke tight;
(v)
All bedrooms shall be:
(a)
above grade level;
(b)
adequately lighted;
(c)
adequately ventilated;
(vi)
light and ventilation for bedrooms shall be by means of
windows in an outside wall;
(vii) bedrooms shall open directly into exit corridors;(viii) bedrooms may not be used as a passageway, corridor or access
to other bedrooms.
That's not much room but it's enough if you have no place else to sleep but a park bench or the subway.
When I was homeless, when we
When I was homeless, when we went to the council they gave us this electronic test questionnaire thing :
http://england.shelter.org.uk/get_advice/downloads_and_tools/does_the_co...
to see whether we were 'really' homeless, and whether our situtation entitles us to be housed!
if i messed my bed up like that in the temporary housing shelters I would have been out! Although I do remember seeing the Emin piece in 2004,at the YBA show at the Saatchi Gallery, LND - alongside that Tent of her's and a photo with all the cash inbetween her legs. it was the first major big exhibition that I had ever seen (since i dont live near London)and it made an impression on me at 15, and I knew in that moment that I wanted to be a contemporary artist. Not that I wanted to run around and pickle sharks and sheep and that, or indeed share too much about my personal life, but I got a really weird feeling when I was looking at the exhibition, some kind of awe. which is obviously something to do with seeing my first 'real' art exhibition - but also to do with the conceptual developement of ideas to a kid being made to copy Georgia O'Keef paintings in art class.