James Kalm drifts into Soho to kick off the new season with a pair of highly anticipated exhibitions. Tauba Auerbach’s “HERE AND NOW/AND NOWHERE” presents five bodies of work that are all related to the duality of space, the here, and, time, the now. Illusionistic paintings are contrasted with “Auerglass” a custom made pipe organ. Kehinde Wiley explores the photographic medium with “Black Light” a series of digitally manipulated photos that continues his studies of young black males. Using various lighting sources, decorative backgrounds, gestures and poses that relate to medieval religious iconography, Wiley creates images that balance precariously between “Boys in the Hood” and “GQ Magazine”.

I didn’t know Dash Snow. Like a lot of the New York art world, I became acquainted with him after the feature article that appeared in New York Magazine in 2007. Due to the hyper-competitive nature of so many here, Dash became the butt of nearly every young artist on the make, less a person than a target, a symbol of all the reasons the scene sucks. Now, with his passing, we’ll see what the long term value of his art really is. After this visit to the memorial, the thing that is most striking and sad is how young he was, just a kid. How will his family and young child carry on without him? Sometimes the life of an artist is brutal. Let's try to take better care of each other.