An embarrassment of riches

Tim Berg & Rebekah Myers

Exhibition dates: January 17th – February 15th 2012

Opening reception: Thursday March 1st - 6 to 8pm

DEAN PROJECT is pleased to present An embarrassment of riches, an exhibition by Tim Berg and Rebekah Myers. It is the collaborative team’s third solo show with the gallery.

James Kalm peddles to Long Island City Queens on a warm summer weekend to view a curatorial project by Cecilia Alemani in the Rotating Gallery at the mega exhibition "Greater New York". Featuring works by Leslie Thornton, Judith Bernestein, Sylvia Sleigh and Jack Whitten "The Comfort of Strangers" presents pieces by mature artists who have worked consistently for decades despite escaping the recognition they deserve. Includes interviews with Leslie Thornton, and Judith Bernestein.

James Kalm is back in Bushwick to visit "On Display" an exhibition selected by Time Out New York as the best painting show of the week. Curated by Hrag Vartanian, Publisher of Hyperallergic, and featuring Sharon Butler, Joy Curtis and Cathy Nan Quinlan. These artists share a sensibility of fractured formalism. Employing received norms of abstraction they cut and reassemble elements into crisp and startling compositions. Includes interviews with Hrag Vartanian, Sharon Butler and Joy Curtis.

James Kalm is cycling down for the summer, but before being immersed in the art world doldrums, he ventures into Chelsea for one more Thursday night gallery crawl. "Reflexive Self" at Mike Weiss Gallery features a collection of images of the macabre. Large drawings by Dead Dads Corporation have the shocking presence of crime scene photos. Kim Dorland and Stefanie Gutheil peruse chunky colorful expressionism, while Marc Seguin leavens his austere canvases with conceptual content and blobs of oil paint and elicits a spontaneous diatribe from Daniel Larkin on his use of Hitler as subject. . Okay Mountain's "Benefit Plate" at Freight+Volume, is the latest offering by this Austin Texas based collective/gallery. These ten artists have received much attention for their whimsical humor combined with critical representations of American culture. Includes interviews with Carlos Rosales-Silva, Corkey Sink and Josh Rios.

Despite the summer heat, there's a chill of death emanating from the James Cohan Gallery with this presentation of "The Tell-Tale Heart (Part 2)". In this exhibition, curated by Elyse Goldberg, many of the works, produced by some of today's most recognized artists, deal with the transitory nature of flesh and the fragile state that we, the living, inhabit. Includes views of works by Maya Deren, Jesper Just, James Ensor, Kota Ezawa, Hanne Darboven, Dash Snow et al.

Rirkrit Tiravanija has established "Relational Aesthetics" as one the art world's current new movements. However, for this "intervention" he was invited to reconfigure "Square Tubes Series D", 1967, by Charlotte Posenenske with some personal alteration of the piece. Tiravanija decided to place all the Square Tubes on rolling dollies and invite attendees to simply roll them into whatever configuration they wish.

James Kalm is cruising around the nabes and captures a couple of interesting local happenings, most notably the de-installation of the controversial New Museum exhibition "Skin Fruit". Rolling north-west from the Bowery, we visit the gem like mini-retrospective "Trim" and Other Works 1967-2010 by a personal favorite, Jim Nutt. This show features three recent "portrait" paintings and a group of related drawings. But the real treat is a small but choice selection of amazing work from the past forty years. As one of the leading members of the Chicago group "Hairy Who" Nutt has sustained one of the most consistent and provocative careers within the eccentric figurative mode.

James Kalm makes a early summer trek to West Chelsea to imbibe in the latest selection of works by Kelli Williams. If the Marquee De Sade was living in New York, surfing the internet, indulging in high colonics and hanging out with Brooklyn hipsters while writing "The 120 days of Sodom" Williams would be a shoe-in for creating the illustrations. Her obsessively detailed and patterned works challenge nearly every hierarchical notion of propriety and decorum, while simultaneously extending a formerly unfashionable legacy of fantastical Feminist Surrealist painting.

For the "Stuart Davis Group" James Hyde has selected one of American art's most cherished icons for this collaborative investigation. Taking his camera to the Metropolitan Museum, Hyde took high quality close-ups of Davis paintings which he had blown up and digitally printed onto vinyl supports. He then added his own painterly "riffs" using sign painters enamel, and rollers. The resulting compositions re-contextualize both classic modernism and conceptual abstract painting.

From the press release: "During the winter of 2002, Carlson noticed that many of the flags on display after 9-11 had started to fade...Looking to the faded flags of 9-11 she dyed fabric to match these faded colors. She then made the flag using a combination of hand and machine sewing." Since Jasper Johns reconceived this icon of America, there have been endless revisions of the flag. Mary Carlson's "Flag" however achieves a pathetic and fragile quality implying an obligation to continuity despite world weariness.