I am stuffed into the Storefront for Art and Architecture on December 9th with a subway car-load of smart, good-looking white people listening to three gods of October talking at the “Clip/Stamp/Fold Radical Architecture of Little Magazines 196X-197X” exhibition. Actually, as the exhibition, curated by Beatriz Colomina and a team from Princeton (see clipstampfold.com). It’s Rosalind Krauss, Yve-Alain Bois and Hal Foster.