James Allan
Isabel Arvers
Chris Byrne
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Brian Caiazza
Renaud Courvoisier
Ricardo Domiguez
EDITOR
Ian Epps
Marc Garrett
Jan Gerber
GH Hovagimyan
Jerome Joy
Steven Kaplan
Kasbah
Patrick Lichty
Joerg Lohse
Frederic Madre
Christina McPhee
Alan W. Moore
Robbin Murphy
Joseph Nechvatal
netwurker
nothing official
Darrel O'Pry
R.E. Poster
Keith Sanborn
Wolfgang Staehle
ART STOMP
Lydwine Van Der Hulst
Lee Wells
Philip von Zweck
IF/THEN
A Book Review of “Digital Contagions: A Media Archaeology of Computer Viruses” by Jussi Parikka (Peter Lang Books, 2007, 327 pages) by Joseph Nechvatal
{loop:file = get-random-executable-file;
if first-line-of-file = then goto loop;
prepend virus to file;}
code in a box
YVES KLEIN
CORPS, COULEUR, IMMATÉRIEL
5 OCT. 06 - 5 FEB. 07
The Centre Pompidou / Musée National d'Art Moderne, Paris
Long live the immaterial!
-Yves Klein, The Chelsea Hotel Manifesto
Yves Klein is for me, and many others, the most important French artist after Henri Matisse. This may sound somewhat appalling to some, as Klein enjoyed only a very concise, but invigorating, seven-year artistic career. But I will clarify this controversial judgment by pointing out his historic relevance to our era of digital culture. The emphasis here will be on Klein’s conceptual articulation of the spatial and the ephemeral/immaterial in relationship to our current actual state of virtuality. Indeed the subtitle of the exhibition, CORPS, COULEUR, IMMATÉRIEL (Body, Color, Immaterial), itself brings out the salient viractual (*1) aspects of Klein's art.
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