PRESENT samples different models and modes of perception and distance, evoking presence in the sense of “reentry” into the fugitive "now" – the critical pivot of point of view, of locality and physical or geographic location, the limits of territory, the infinity of movement.

"The joy of the Postmodern, and as we go into the next period at the moment (name TBA), is that immaterial culture's association with the material (expand at will) is that the antagonism between the art market and the avant is diffused by allowing for localized discourse. Since the "ism" was destroyed, art atomized into very local threads of genre, into small groups, and even imploded to the individual.

TELECULTURE
November 13 - December 14, 2007

Video based artwork by Chris Borkowski, Bethany Fancher, Gerald Förster, Taras Hrabowsky, Jennifer Jacobs, Eric Payson, Second Front, Mark Tribe, and [dNASAb]
Curated by Lee Wells

To view the exhibition goto: www.pace.edu/digitalgallery

It's been asked why Rhizome, and for that matter a lot of listservs for that matter, have dropped in the degree of content during the present decade. There are a few lists out there that still have a lot of content, traffic, but in general, Pall Thayer's observation that listserv traffic has dropped considerably, at first glance, appears to be true.

code in a box

update
In regards to the upcoming "Automatic Update" exhibition at the MoMA NY, there seems to be a great deal of question about a number of issues. These are; the re-writing of history,the relevance of net-based art, the perception of popular culture, and the role of the New Media movement/ Genre in the contemporary scene. What seems to be a key dialectic about the state of New Media as force in contemporary art derives from two poles; one from the MoMA colophon about the Automatic Update show; The dot-com era infused media art with a heady energy. Hackers,programmers, and tinkerer-revisionists from North America, Europe, and Asia developed a vision of art drawn from the technology of recent decades. Robotic pets, PDAs, and the virtual worlds on the Internet provoked artists to make works with user-activated components and lo-res, game-boy screens. Now that "new media" excitement has waned, an exhibition that illuminates the period is timely. Automatic Update is the first reassessment of its kind, reflecting the artists ambivalence to art, revealed through the ludicrous, comical, and absurd use of the latest technologies. [1]

Friday 13 July 2007, 10.00–18.30
Tate Modern Starr Auditorium, Bankside, London SE1

http://www.tate.org.uk/modern/eventseducation/symposia/8896.htm
http://www.ires.org.uk

Contributors include: Mark Amerika, Alexander R Galloway, Andrea Zapp, Kelli Dipple, Kate Rich and Paul Sermon.

Concept by Kate Southworth, developed in collaboration with Tate Modern

This international symposium brings together some of the world's leading media artists, theorists and researchers to explore real-time interaction in electronic media. Over the last few years network theories have started to shape our thinking about social and cultural issues. This event seeks out artistic strategies and art forms that engage with these ideas.