James Allan
Isabel Arvers
Chris Byrne
Blackhawk
Brian Caiazza
Renaud Courvoisier
Ricardo Domiguez
EDITOR
Ian Epps
Marc Garrett
Jan Gerber
GH Hovagimyan
Jerome Joy
Steven Kaplan
Kasbah
Patrick Lichty
Joerg Lohse
Frederic Madre
Christina McPhee
Alan W. Moore
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netwurker
nothing official
Darrel O'Pry
R.E. Poster
Keith Sanborn
Wolfgang Staehle
ART STOMP
Lydwine Van Der Hulst
Lee Wells
Philip von Zweck
Determined Indeterminancy
A review of
THE THIRD MIND at Le Palais de Tokyo
Curated by Ugo Rondinone
By Joseph Nechvatal
THE THIRD MIND
Le Palais de Tokyo
13, avenue du président Wilson 75116 Paris
September 7th – January 8th
update
In regards to the upcoming "Automatic Update" exhibition at the MoMA NY, there seems to be a great deal of question about a number of issues. These are; the re-writing of history,the relevance of net-based art, the perception of popular culture, and the role of the New Media movement/ Genre in the contemporary scene. What seems to be a key dialectic about the state of New Media as force in contemporary art derives from two poles; one from the MoMA colophon about the Automatic Update show; The dot-com era infused media art with a heady energy. Hackers,programmers, and tinkerer-revisionists from North America, Europe, and Asia developed a vision of art drawn from the technology of recent decades. Robotic pets, PDAs, and the virtual worlds on the Internet provoked artists to make works with user-activated components and lo-res, game-boy screens. Now that "new media" excitement has waned, an exhibition that illuminates the period is timely. Automatic Update is the first reassessment of its kind, reflecting the artists ambivalence to art, revealed through the ludicrous, comical, and absurd use of the latest technologies. [1]
"All perceiving is also thinking, all reasoning is also intuition, all observation is also invention."
-Rudolf Arnheim, Art and Visual Perception: The New Version, p.5.
Rudolph Arnheim
Obituary: Rudolf Arnheim
Rudolf Arnheim, a pathbreaking psychologist of visual experience in
the arts, died at the age of 102 in Ann Arbor, Michigan on June 9
The Politics of Aesthetics
Book Review of Jacques Rancière’s The Politics of Aesthetics : with reflections on Rancière’s art-politics in lieu of the Deleuzian/Guattarian perspective.
by Joseph Nechvatal
Jacques Rancière, The Politics of Aesthetics
With an afterward by Slavoj Zizek
Continuum Press, London and New York

found in Mugeodong, Ulsan, South Korea.
A real shocker for Germans - The old nick name for the Deustche Demokratische Republik (DDR) was "Zone"- short for Soviet Occupied Zone. Nowadays a Korean Game Parlor.
More of such parallel suprises around the DMZ?

Greetings from Ulsan, South Korea.
Comrades from Hyundai salute New York. Party today.

All Systems Go: Recovering Jack Burnham’s ‘Systems Aesthetics’
Luke Skrebowski
Tate Papers
Spring 2006
... As Pamela Lee has recently reminded us: ‘systems theory was applied to emerging forms of digital media ... but it also served to explain art not expressly associated with technology today: conceptual art and its linguistic propositions, site-specific work and its environmental dimensions, performance art and its mattering of real time, minimalism even.’
my memory is leaking
this plumber can't fix it
it's all going away
today this guy showed up on bloglines
and I thought
I had seen him before
a lot, I used to see him all the time
it meant I could not access something
and it was boring
I would reload and he would still be here
with his shoulders and tools
I hated that plumber and now he's back
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