James Kalm immerses viewers in the colored space of Dan Flavin’s Series and Progressions at David Zwirner. These works originally designed in 1968, represent a breakthrough both in their use of “ready made” commercially available neon light fixtures and their “Post-Minimal” radiance of sensual colored light. From the austere to the over the top we next trip into the Susan Inglett Gallery for the Bruce High Quality Foundation University, a learning experience in the absurd. Bruce High Quality is a loose confederation of artists who have recently achieved a high level of visibility with their goof ball antics and pathetic products that mask their wry version of “institutional critique”.