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Hasty Pudding: notes and assorted paraphernalia

I WANT CANDY
Allan D. Hasty
The Proposition
559 W 22nd St
July 1 - August 8, 2008

In his previous photographic work, Allan Hasty has evinced a decided Southern Gothic tendency. His images are replete with tabloid visions of sex, sleaze, sin and death, with B-girls in bustiers brandishing guns, with freaks and geeks. With portraits subjected to the choreographed flash of strobe lights, analyzing motion into a series of post-Eadweard Muybridge smears, tearing bodily into the fourth dimension. With memento mori awash in a sea of multimedia distress, the surface of the photo intentionally dirtied in its development from the negative. A photo from Solicitation, his last show at The Proposition in 2004, is representative of his penchant for the freakish and extreme, for his manipulation of the image, and for his peculiarly gothic obsessions.


Fibonacci Series with Calculators - 1994


The piece is a system or a procedure or a set of instructions. The instructions are to draw a spiral on a board. Using four cheap calculators, create the Fibonacci series. Write the numbers on the spiral as you go along. When the calculators can no longer calculate the numbers the piece is finished. It’s a closed system that is somewhat like the logical abstraction for a computer program, a set of instructions that is executed.


Brand Name- Louvre

Louvre Abu DhabaiLouvre Abu Dhabai

This from the New York Times: The Louvre’s Art: Priceless. The Louvre’s Name: Expensive. by Alan Riding
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