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Review of Art rétinal revisité: histoire de l’oeil

Digitalarti Mag #4Digitalarti Mag #4

Noisy Viral Threat : Joseph Nechvatal
Review of Art rétinal revisité: histoire de l’oeil
by
Manuela de Barros

Published in Digitalarti Mag #4
October 2010


Kiki from Kiki Smith

Kiki from Kiki Smith

Kiki is the new fragrance from contemporary artist Kiki Smith, designed in collaboration with the award-winning French fragrance designer, Christophe Laudamiel. Kiki is a study of balance and contrast and is unabashedly green and fresh while deeply and unexpectedly, lush, warm and dynamic. The fragrance evokes Kiki’s most significant olfactory memories: musks, boxwood, patchouli and sandalwood next to fresh, ripe foliage and fig leaf notes. The uniquely soothing, enveloping warmth and herbaceousness of blue chamomile and the bright and summery smell of narcisse create an incandescent, satisfying and fearless scent that is diffusive and illuminating.


open call for for videos that edit and reshape broadcast commercials

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THE YES MEN FIX THE WORLD

THE THING @ WHITE SLAB PALACE
Monday, October 25, 8 pm
77 Delancey Street (Allen and Delancey)

THE YES MEN FIX THE WORLD is a screwball true story about two gonzo political activists who, posing as top executives of giant corporations, lie their way into big business conferences and pull off the world's most outrageous pranks.


Swedish Brillo boxes ruled "dubious" by Warhol Authentication Board

Artnet News
Oct. 19, 2010

SWEDISH BRILLOS ARE BUNK: WARHOL AUTHENTICATION BOARD

It’s one of the most famous arguments in all of art theory: Arthur Danto’s claim that Andy Warhol’s Brillo Box sculptures represent the "end of art," because they don’t have any distinguishing features -- it’s just art because the artist says it is. Well, the Andy Warhol Authentication Board begs to differ. In a 27-page encyclical (available for perusal courtesy the L.A. Times’ Christopher Knight), the board rules that a slew of more than 100 boxes are of dubious authenticity, essentially fabrications by free-wheeling Swedish curator and sometime Warhol collaborator Pontus Hulten (1924-2006). The board also lays out precise formal guidelines designed to separate the real Brillos from the clones.


Activists Derail Massive Chevron Ad Campaign, Spark Media Vaudeville

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FOR IMMEDIATE RELEASE
October 19, 2010

Massive Chevron Ad Campaign Derailed, Media Slapstick Follows
News outlets, citizens duped by web of deceit - but whose?

A day-long comedy of errors began Monday morning when the Yes Men, supported by Rainforest Action Network and Amazon Watch, pre-empted Chevron's enormous new “We Agree” ad campaign with a satirical version of their own. The activists' version highlights Chevron's environmental and social abuses - the same abuses they say Chevron is attempting to “greenwash.”

“Chevron's super-expensive fake street art is a cynical attempt to gloss over the human rights abuses and environmental degradation that is the legacy of Chevron's operations in Ecuador, Nigeria, Burma and throughout the world,” said Ginger Cassady, a campaigner at Rainforest Action Network. “They must think we're stupid.”


Nechvatal exhibition and lecture at Université de Toulouse opens November 3rd

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exhibition and lecture at Université de Toulouseexhibition and lecture at Université de Toulouse

Announcement for my exhibition and lecture at Université de Toulouse II-Le Mirail on November 3 & 4

This talk has been published here:
http://livinggallery.info/text/viractualism


The Sick Films of Reynold Reynolds

THE THING @ WHITE SLAB PALACE
Monday, October 18, 8 pm
77 Delancey Street (Allen and Delancey)


In the U.S., Ancestry Should Mean Zero

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U.S. citizens, unlike people in many other countries, owe allegiance to a Constitution in which race, creed, color, nationality and other aspects of birth should be irrelevant. In sum:
ancestry, and even how one is raised, should mean zero. We are all meant to be equal before the law.


“Parallel Threads” Reception: Thursday, October 28, 6 - 8pm

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Parallel ThreadsParallel Threads

“Parallel Threads”

October 23 - November 21, 2010
Reception: Thursday, October 28, 6 - 8pm
Westside Gallery


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