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Black Zero by Aldo Tambellini


Performa09, White Box and THE THING present

Black Zero by Aldo Tambellini and Group Center (1965-1968)
featuring Aldo Tambellini (projections), William Parker (music), Ben Morea (noise machine), Maggie Clapis and the voice of Calvin C. Hernton (poet)

A project by Christoph Draeger

November 22 , 6 p.m.
White Box, New York


Transborder Immigrant Tool helps Mexicans cross over safely

Vice has an interview with b.a.n.g lab's Ricardo Dominguez about the Transborder Immigrant Tool, a GPS device based on a cheap cell phone that will help Mexican immigrants safely cross the border.

For the past few years you've been working on the Transborder Immigrant Tool, which sounds like it's really going to chafe the asses of millions of people--civilians and government entities alike. What was the impetus for this project?

My research lab at Calit2 is called BANG Lab, which stands for Bits, Atoms, Neurons, and Genes. One of the areas I've focused on since I've been in San Diego is developing what we call border-disturbance technologies.


Tracey Emin: Only God Knows I’m Good at LEHMANN MAUPIN


James Kalm is slumming on the Lower East Side when he comes across this opening. Tracey Emin is a founding member of the YBAs (Young British Artists) and represented Great Britain in the 2007 Venice Biennial. Featuring over 53 works in neon, film, sculpture, embroideries and monoprints, this extensive show continues the artist’s exploration and objectification of her own sexuality, lust, longing and desire.


Artists Meeting Art Machine(SM) premieres at PULSE Miami 2009

Artists Meeting Art Machine(SM)
premiers at PULSE Miami 2009, December 3-6.

amam-flyer3.jpg

For those of you that will be taking part in this years 2009 Art Basel Miami Beach / Miami Art Week, another art machine spectacle to be sure not to miss premiering at Pulse Maimi by fellow PAM conspirators the Artists Meeting Arts Collective. Looks like they are trying to undercut everyone and sell out.


Nicole Eisenman: New Paintings at LEO KOENING


James Kalm makes a pre-Halloween visit to bring viewers some tricks and treats from the painterly grab bag of Nicole Eisenman. Combining styles and techniques, Eisenman presents a series of large “Beer Garden” paintings that capture friends and inhabitants of this bohemian milieu. The pictures are rife with art historical references and show Eisenman’s regard for past masters like Picasso, Nolde and Ensor.


Joanna Warsza and Warren Niesluchowski

16beaver, THE THING, and Laura Palmer Foundation present:

Public-Art Projects in the Ex-communist Stadium and in the former Warsaw Ghetto

Joanna Warsza and Warren Niesluchowski | Laura Palmer Foundation / Warsaw, Poland

Talk, Screenings, Book Launch and Discussion:
Thursday, Nov. 12th 2009, 7:00 pm

16 Beaver St., 4th Floor
New York
Free and open to all
http://www.16beavergroup.org/
www.laura-palmer.pl

More at http://the.thing.net/home.html


Jerry Saltz Seeing Out Louder, David Hockney New Paintings 2006-2009


James Kalm makes a pilgrimage of fandom to the book launch party for Jerry Saltz’s latest literary endeavor “Seeing Out Louder”. The sequel to “Seeing Out Loud”, this edition features reviews, essays, and thought pieces that display the wit and observational acuity that have established Saltz within the top fifty most influential individuals in the contemporary art world.


Jon Stewart Impersonates Glenn Beck

The Daily Show With Jon Stewart Mon - Thurs 11p / 10c
The 11/3 Project
www.thedailyshow.com
Daily Show
Full Episodes
Political Humor Health Care Crisis

From Gawker on The Coming War for Glenn Beck's Internal Organs:

On last night's Daily Show, Jon Stewart performed a bravura 8-and-a-half minute monologue in the style of Glenn Beck on the subject of Glenn Beck's appendicitis.

The highlight is probably the unveiling of the conspiratorial internal organ chalkboard. All the notes — references to old and discredited texts, the Founding Fathers, transparently phony stabs at nonpartisanship, crying — are hit, though Stewart never quite reaches the operatic unhingedness of a genuine Beck performance. The glasses are a wonderful touch, though.


Dia To Return To Chelsea

From Lindsay Pollock:

After a lengthy search for a new home, the Dia Art Foundation will construct a brand new building in Chelsea at 545 West 22nd Street, a property the foundation already owns.

Dia, a presence in Chelsea since 1986, vacated two Chelsea venues in 2004. The foundation sold 548 West 22nd Street for $38.6 million to an unknown foreign buyer who has since lent the building to the not-for-profit X Initiative.

Dia leased a second property at 545 West 22nd Street to PaceWildenstein. Dia plans to begin construction in 2012, after Pace’s lease has terminated.

The new outpost, Dia:Chelsea, will exhibit commissioned artworks, long-term installations, as well as host public programs.

Dia is revealing little about the design or architect of the new building, other than to say it will be a “utilitarian space designed for the experience of art,” in a statement.


Early Performa 09 Wins: Guy Ben-Ner and Ragnar Kjartansson

November 3, 2009. The current edition of the Performa biennial, just a few days out of the starting gate, has already produced two winners: a video by Israeli artist Guy Ben-Ner (of Moby Dick and Stealing Beauty fame - the latter reviewed here) and Icelandic artist/musician Ragnar Kjartansson, abetted by Alterazioni Video from Italy, who premiered the drolly anarchic Symphony No. 1.

I was lucky to catch both events on Monday night, as they were scheduled a scant hour apart and threatened to overlap. Fortunately there were just a few blocks separating them in the East Village, which is shaping up as ground zero for Performa 09. An embarrassment of riches is planned over the next three weeks all over the city - exhibitions, screenings, panels, musical performances, poetry readings and spoken word, alchemical experiments, pamphleteering, street interventions, dance, new media, food and fashion shows - and can be followed on the biennial website.

Guy Ben-Ner


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