This group show marks both the end of the summer and beginning of the new season of gallery happenings. "Tunneling" is a title selected by Pappenheimer as a symbol of an exploratory process. Often ignored or overlooked, many eccentric and obsessive artists continue in solitary digging deep into their subjects and media with startling results. In a virtuoso manipulation of "New Media" Luke Murphy appropriates Albert Pinkham Ryder's The Race Track (Death on a Pale Horse), and using computer technology, stretches its pixels to a mile in length. The mind-bending tedium involved in the fabrication of Meg Hitchcock's collages induces a brief period of meditative contemplation just to perceive. Designing a logo hacking iphone app, Mark Skwarek and Joseph Hocking remind users of their own complicity in the BP Gulf oil blowout. Features an interview with curator William Pappenheimer.

The following are brief excerpts from a Facebook dialog that’s taken place over the last four days on the Loren J. Munk page. The impetus of the original post was a demand received through YouTube from a supposed dealer, who threatens “getting ugly” if his demands aren’t met. This subject seems like prime territory for the investigation of “New Media” and some of its implications. Thanks here to those who contributed. I’ve edited due to space limits, but tried to capture the general tone.

HP Garcia Gallery is delighted to announce a poetry reading and music event with highly acclaimed poets Fiona Templeton, Lawrence Joseph, and musician John King, taking place at the gallery on Wednesday, June 18 at 7-8:30PM. To celebrate the last 10 days of the ongoing exhibition “Present”, curated by Jay Murphy, Lawrence Joseph will read his sensually and politically charged poems.

PRESENT samples different models and modes of perception and distance, evoking presence in the sense of “reentry” into the fugitive "now" – the critical pivot of point of view, of locality and physical or geographic location, the limits of territory, the infinity of movement.

"The joy of the Postmodern, and as we go into the next period at the moment (name TBA), is that immaterial culture's association with the material (expand at will) is that the antagonism between the art market and the avant is diffused by allowing for localized discourse. Since the "ism" was destroyed, art atomized into very local threads of genre, into small groups, and even imploded to the individual.

TELECULTURE
November 13 - December 14, 2007

Video based artwork by Chris Borkowski, Bethany Fancher, Gerald Förster, Taras Hrabowsky, Jennifer Jacobs, Eric Payson, Second Front, Mark Tribe, and [dNASAb]
Curated by Lee Wells

To view the exhibition goto: www.pace.edu/digitalgallery

It's been asked why Rhizome, and for that matter a lot of listservs for that matter, have dropped in the degree of content during the present decade. There are a few lists out there that still have a lot of content, traffic, but in general, Pall Thayer's observation that listserv traffic has dropped considerably, at first glance, appears to be true.

code in a box

update
In regards to the upcoming "Automatic Update" exhibition at the MoMA NY, there seems to be a great deal of question about a number of issues. These are; the re-writing of history,the relevance of net-based art, the perception of popular culture, and the role of the New Media movement/ Genre in the contemporary scene. What seems to be a key dialectic about the state of New Media as force in contemporary art derives from two poles; one from the MoMA colophon about the Automatic Update show; The dot-com era infused media art with a heady energy. Hackers,programmers, and tinkerer-revisionists from North America, Europe, and Asia developed a vision of art drawn from the technology of recent decades. Robotic pets, PDAs, and the virtual worlds on the Internet provoked artists to make works with user-activated components and lo-res, game-boy screens. Now that "new media" excitement has waned, an exhibition that illuminates the period is timely. Automatic Update is the first reassessment of its kind, reflecting the artists ambivalence to art, revealed through the ludicrous, comical, and absurd use of the latest technologies. [1]

Friday 13 July 2007, 10.00–18.30
Tate Modern Starr Auditorium, Bankside, London SE1

http://www.tate.org.uk/modern/eventseducation/symposia/8896.htm
http://www.ires.org.uk

Contributors include: Mark Amerika, Alexander R Galloway, Andrea Zapp, Kelli Dipple, Kate Rich and Paul Sermon.

Concept by Kate Southworth, developed in collaboration with Tate Modern

This international symposium brings together some of the world's leading media artists, theorists and researchers to explore real-time interaction in electronic media. Over the last few years network theories have started to shape our thinking about social and cultural issues. This event seeks out artistic strategies and art forms that engage with these ideas.