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Swiss Institute

John Miller organizes "The Big Payback" at Swiss Institute

REGIFT
Swiss Institute, New York
curated by John Miller
February 18 - April 4, 2009

Barbara Bloom, Sophie Calle, Trisha Donnelly, Sam Durant, Maria Eichhorn, Sylvie Fleury, Felix Gonzalez-Torres, Dan Graham, Renée Green, Fabrice Gygi, Jamie Isenstein, Mike Kelley, Louise Lawler, Leigh Ledare, Sam Lewitt, Allan McCollum, Jeffrey Charles Henry Peacock, Mai-Thu Perret, Walter Robinson, Aura Rosenberg, Jim Shaw, Greg Parma Smith, John Waters, Lawrence Weiner


John Waters, Loser Gift Basket, 2006

February 25, 2009. Andrew Goldstein's snippet in New York magazine provides an interesting take on REGIFT, the exhibition organized by artist/curator/critic John Miller at Swiss Institute. But rather than viewing the show as a commentary on a potential new art world gift economy occasioned by the larger recession/depression, I rather thought REGIFT offered testimony to the social support system that Miller has built for himself. In effect, it acknowledges the many perks that he has enjoyed over the years as a darling of the art world - gifts of exhibitions, employment, travel, fellowships, etc. - and attempts to offer a commensurate recompense. Nothing is being given away here. What we have is standard careerist logrolling.


Art of Darkness

DARK FAIR
March 28 - 29, 2008
Presented by Milwaukee International
at SWISS INSTITUTE/CONTEMPORARY ART
495 Broadway, 3rd Floor

Considering those aspects of Armory Week in New York which might be remembered in days to come, I predict Dark Fair will resonate in the annals of art history, and not just for the central conceit of doing it off the grid — of using no plug-in electrical devices or overhead lights at its Swiss Institute venue, instead substituting candles, flashlights, battery powered laptops, kerosene lamps and other glow-in-the-dark initiatives — but for its subversive stance as an anti-fair, an event that emulated the form but not necessarily the mandate to sell. It opened on Friday, closed on Saturday, and in the interim attracted an audience that stretched around the block.


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