Hola all,
Here is nice 4 hour interview with music all archived for you pleasure:
Ausfuehrliches Interview mit Ricardo Dominguez zu Electronic Civil Disobedience, Border Disturbance Technologies und Migration (February 21, 2010)
Hola all,
Here is nice 4 hour interview with music all archived for you pleasure:
Ausfuehrliches Interview mit Ricardo Dominguez zu Electronic Civil Disobedience, Border Disturbance Technologies und Migration (February 21, 2010)
2010
The "Who Dat?" Biennial
Whitney Museum of American Art
February 23 - May 30, 2010
Adam Weinberg addressing the troops
Tuesday, February 23, 2010. 7:00 PM. In his charming remarks earlier this afternoon during the press opening of the less than charming 2010 Whitney Biennial, co-curator Francesco Bonami (who wistfully regretted how difficult it was convincing artists half his age to have dinner with him) alluded to the intrinsic arbitrariness of all Biennial exhibitions. As an institution just turned 75 years old, and facilitated under the venerable aegis of the Whitney Museum, each particular Biennial, despite its essential claim to showcase the best and brightest art production of the past two years, is still dependent on the whims and prejudices of its organizers. Hence the unavoidable hit-or-miss possibilities of every succeeding exhibition.
There is no cumulative formula for success, as new curators tend to establish new priorities and then select new artists as the avatars of same. If the turnover seems particularly extreme this year, even educated observers of the art scene might feel confronted by a "Who Dat?" Biennial, an exhibition at least partly populated by a fickle and jejune cast of characters.
: Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality
Upcoming
Film Screenings & Events
The End of the Remake Trilogy
Blow Up, Stroll On
2006. Great Britain/USA. Directed by Christoph Draeger. A video remake of the club scene in Michelangelo Antonioni’s 1966 film Blow Up. 3 min.
My Generation
Scott Richter is an artist who has been pushing the limits and ideas of paint and painting for decades. After investigating the process of painting and mingling with elements of sculpture, this show displays a returning to the classic rectangle hung on a wall. Richter's canvases are luscious, physical and nuanced, with an undeniable presence that is satisfyingly memorable. Includes an interview with Scott Richter.
CONFUCIUS: His Life and Legacy in Art
February 11 – June 13, 2010
China Institute Gallery
125 East 65th Street, New York
February 16, 2010. Growing up, I didn't have much time for Confucius. Among the prominent Asian philosophers, he took second place to Lao Tzu and Taosim, and for obvious reasons. Taoism seemed more laissez-faire, less involved with propriety and property. It embraced a certain ease and modesty, a harmonious accommodation with nature. There was a nonchalance that sat well with my hipster, slacker ideal of "there's a road we're all on, man, but it really leads nowhere except right back to where we all started from, so don't get me uptight, just chill and pass that j."
My rebellious, reductivist streak left no room for the conventional wisdom of the Confucian status quo, for its apotheosis of family, for using the correct ritual and sacrifice on every occasion, for a strict legal code that could deaden spontaneity. I had dabbled in the Analects, and these dialogs were obviously "wise", but my lingering suspicion was that they were wise in the wrong way. There was no escaping their prim orientation towards duty and decorum.
Under the category of "Reviews," I present my own reviews of what has happened in the careers and presentations or projects of many during the 20th century, up through now.
Thus one reviews, or takes another view, with the benefit of hindsight, at what occurred.
PHILIPPE TERRIER-HERMANN:
LE DERIVE - THE RIFT
With Simon Buret, Andy Gillet, Dimitri Capitain, Charles Delpon, Roxane Mesquida, Brady Corbet, Christian Tual and Diane de Beauveau.
Screening and Q+A in presence of the director and one of the actors, Andy Gillet.
Sunday, February 7 2010, 8 PM
at White Slab Palace
Letter from LONDON: RICHARD WRIGHT: Turner Prize 09
by Joseph Nechvatal
TATE BRITAIN, LONDON
OCTOBER 6, 2009 – JANUARY 3, 2010
published in the Feb issue of The Brooklyn Rail