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iMigrate Actions

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General Strike May 1st | No Work | No School | No Buying Anything

Quick on the heels of the massive March 25th mobilizations and the student walkouts during the following week, April 10th was a historic day of action for immigrant rights across the USA. Tens of thousands of people took the streets in Los Angeles and in Santa Ana, while 5,000 marched in St. Louis and 10,000 raised their voices in the largest march in Fresno's history. San Diego also made history with a march of up to 100,000 people on April 9th. There were mobilizations in the Bay Area, in Tennessee, in Rochester, NY, and in DC. In Portland, up to 8,000 marched, while thousands gathered in Love Park in Philly. Allies mobilized in Pittsburgh. In Arizona, people were on the move in Flagstaff. There were major marches and actions in NYC and Boston, and Houston Indymedia provided a blow by blow of actions in Texas. In Puerto Rico, hundreds took the streets of Barrio Obrero. (These amazing stories are just a small sample of coverage of April 10th actions across the country; for more go to your local IMC.) Congress has been forced to backpeddle on brutal anti-immigrant legislation, but they are nowhere near to meeting the demands of the movement, especially amnesty for all. So the movement for immigrant justice keeps rising, with more major actions planned in the coming weeks: April 15th is a student day of action, and May 1st will be a historic day of action, with calls for a general strike, boycott, no sales or purchases, walkouts, marches, and actions in financial centers and at anti-immigrant corporations throughout the country.


Idealism, Realism and U.S. Foreign Policy

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By George Friedman

*GEOPOLITICAL INTELLIGENCE REPORT, Stratfor

http://stratfor.org/

Iran says it has enriched uranium. Hosni Mubarak is claiming that Shia in Sunni states are traitors to their countries. The French are in political and economic gridlock. With all these urgent things going on, it seems to us that it is time to talk of something important, something that has driven and divided American politics for centuries and will continue to do so: the argument between those who have been called idealists and those who have been labeled realists in U.S. foreign policy.


Abu Ghraib TV

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rantapod-018rantapod-018
The notion of the transgressive in art was supposed to be a send up or making fun of the Bourgeoisie.

vanity search

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Vanity Search creates an instant web collage using search engines doing a vanity search on the name G.H. Hovagimyan. One might call this Neo-Fluxus information art. The interesting part is that the piece changes as more information is added to the web. This is a very fragile piece. It depends on all the search engines now in existence to continue to function. In the world of corporate communications cut-throat competition this is highly unlikely. this piece deals with information entropy. I liken this to Robert Smithson's famous musings, in his 1968 essay, "A Sedimentation of the Mind." How many search engines will be in existence in 10 years? Will the web become censored like in China or "privatized" and made the domain of commercial culture only? The fluidity of information has an ebb and flow like a tide washing away a shoreline.


No Occident, No Restraint

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When Matthew Barney’s work first came to prominence in the early 1990s, it brought to mind the Warren Zevon song, Excitable Boy.

Well, he went down to dinner in his Sunday best
Excitable boy, they all said
And he rubbed the pot roast all over his chest
Excitable boy, they all said
Well, he's just an excitable boy

He took in the four a.m. show at the Clark
Excitable boy, they all said
And he bit the usherette's leg in the dark
Excitable boy, they all said
Well, he's just an excitable boy

I didn’t attend the recent press or invitational screenings for Barney’s new film, Drawing Restraint 9. But both word of mouth and published reports made me feel as if I had seen it – all 135 minutes of it -- even if most reviewers seemed to wish that they hadn’t. Having endured the entire 15 hours of his Cremaster cycle, I could certainly feel their pain. The apple doesn’t fall far from the tree, the flayed blubber of DR9 not far from the descending testicle of Cremaster. Barney’s aesthetic legacy from the earlier film seems to have survived remarkably intact. There is his narcissism, his addlepated attempts at creating a personal mythology, his fetishistic transgressions, his pretentious (and expensive) tropes of fashion, his overreaching symbolism, his staging of inane rituals, his plodding sense of narrative, his artless editing (like boxcars crashing together on rusty tracks) and insipid cinematography. Taken together, they constitute a singular cinematic achievement.


Space Alien Scrolls (on black)


Sure, I know you have all been wondering what was tying together Olia Lialina's latest works with Dragan Espenschied, you have all been waiting for an assessment and an explanation.


Spring '06...

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Spring '06 is a minichromatic fixed width theme, inspired by the current season. We've elected for fully justified edgelines, using the empty space to pad and widen the navigation column. Spring '06 is a collaboration of Wolfgang Staehle and Darrel O'Pry.


Hush the morning speaks at night

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hushthemorningspeaks
                    The 1st of many... 

As I wait for the new material to filter in, I have decided to post a relaxed Sunday afternoon of personal recordings.  PLeAse eNjoy   


The Spring Offensive

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gh hovagimyan homepage 2006gh hovagimyan homepage 2006
I've just spent the last 4 days upgrading my homepage: G.H. Hovagimyan homepage updated April 1, 2006, http://nujus.net/gh

People have been asking me to put up my HD morphs online. I've resisted doing that because they are high definition video and should be seen in person. They are at Sara Tecchia's gallery in New York, 529 West 20th Street. http://saratecchia.com/artists/gh_hovagimyan/


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