James Kalm, despite the daunting task of trying to capture the grand spectacle of 113 openings, muddles on, and brings viewers a select few of the exhibitions on offer. Drawings and recent paintings by Raoul De Keyser and the “Afro Margin” drawings by Chris Ofili begin out tour at David Zwirner. Heading north, we pop in for a glance at the double shows of Kara Walker and Mark Bradford at Sikkema Jenkins & Co. and then slip in at Sonnabend to catch a look at the Photo-Realistic Surrealism of Matthew Weinstein. Trying to beat the clock we get an oh so brief look at Maya Lin’s installation, ”Three Ways of Looking at the Earth” at Pace/Wildenstein. We wrap-up with a viewing of the luminous abstractions of Kylie Heidenheimer, at 532 Thomas Jaeckel Gallery and pause to reflect on the 9/11 Memorial Lights over lower Manhattan.
blogs
2009 Chelsea Opener
2009 Lower East Side Kick-off
James Kalm returns for the 2009 season opener on the LES (Lower East Side). This sampler features run-throughs of five openings that give viewers an idea of the tastes and trends we likely to see more of as the year unwinds. Beginning with the zippy tape stripes of Franklin Evans at Sue Scott, we dash up Freeman Alley to take a peek at the work of one name wonder Carter at Salon 94. From there we visit Khalif Kelly’s “Metamorphosis” at Thierry Goldberg Projects, and take a glance at the video installation of Adam Shecter at Eleven Rivington. Finally it’s up to East 2nd Street to check out the most recent offering at Museum 52.
REAL-TIME POLITICAL ART OUT OF THE DIGITAL UNDERGROUND Armin Medosch 2007
New book release from ambienttv London: "Ambient Information Systems: Footprints in the Snow of Noise. 2009 ed Mukul Patel"
CC 2.5 non commercial / no derivatives /attribution licence
http://www.ambienttv.net/content/?q=ambientbook
Tauba Auerbach and Kehinde Wiley at DEITCH PROJECTS
James Kalm drifts into Soho to kick off the new season with a pair of highly anticipated exhibitions. Tauba Auerbach’s “HERE AND NOW/AND NOWHERE” presents five bodies of work that are all related to the duality of space, the here, and, time, the now. Illusionistic paintings are contrasted with “Auerglass” a custom made pipe organ. Kehinde Wiley explores the photographic medium with “Black Light” a series of digitally manipulated photos that continues his studies of young black males. Using various lighting sources, decorative backgrounds, gestures and poses that relate to medieval religious iconography, Wiley creates images that balance precariously between “Boys in the Hood” and “GQ Magazine”.
~~~~~venus©-~Ñ~vibrator, even
cybersex novella ‘~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even’ was written during my artist-in-residency at the Cite des Art International in Paris during 1995. I edited it to this final version in NYC in 1999.
Summer Wrap-Up 09
“Summer’s almost gone,” and after the “lazy, hazy crazy days,” anxiety in the art world is rising. The shake-out that began last fall is still with us. But in neighborhoods in Brooklyn, they haven’t received the memo about the sky falling. The Gowanus and Sunset Park have recently seen an influx of galleries and artists studios, many of who are displaced Williamsburgers. Under Minerva is a new space that hopefully will continue the legacy started by such venues as Pierogi 2000 in the early 90s. Stay tuned.
THE BUSHWICK BIENNIAL
The constant flowering of bohemia is not a construct of advertising, nor of the whims of a dozen infamous gallerists. It is the generational engine of youth culture, alive and well, striving at the border of the mainstream, throwing out its various statements while at the same time contributing to a community that has registered a similar creative echo for at least 25 years.
Bushwick is the locus of new creative energies, the same ones that are active in many other parts of Brooklyn, especially its neighboring wards of Williamsburg and Greenpoint. This year saw the emergence of its first official celebration, The Bushwick Biennial, brainchild of NURTUREart gallery director Benjamin Evans, in collaboration with Austin Thomas of Pocket Utopia, Chris Harding of English Kills, and Jill McDermid of Grace Exhibition Space.
Periodizing cinematic production
By Brian Holmes at the posted on [iDC] listserv.
"How do you get capitalism into the psyche, and how do you get
the psyche into capital?" asks the philosopher Jean-Joseph Goux.
Drawing on key insights from Gramsci, Simmel and Benjamin -- and
radicalizing the work of film critic Christian Metz in the
process -- Jonathan Beller gives this quite astonishing reply:
