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Transborder Immigrant Tool at ISEA 2009

b.a.n.g. lab researchers have been very busy and have a handful of upcoming and recent exhibitions! Follow these links to find out more!

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Transborder Immigrant Tool has a new blog up:

http://bang.calit2.net/xborder/

b.a.n.g lab also has a new blog up:

http://bang.calit2.net/

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Thursday, September 10, 2009: One Time Only Back-To-School Special

While I continue to compile listings for my own use, I stopped publishing an online events calendar years ago. But perhaps this one off, ad hoc effort will not only serve to introduce the new season, but might also illuminate the art world's commercial zeitgeist at a pivotal moment in the marketplace.

Despite grim forecasts of galleries closing over the summer and Chelsea becoming a ghost town, notices of 113 openings and events have thus far been received by email, regular mail, Facebook etc. for the first Thursday after Labor Day, shaping up to be a watershed evening. Since back-to-school Thursdays in previous years could also top 100 events, it seems there has not been a significant falling off. Most galleries that closed did so prior to the summer recess. The direness of the anticipated "death watch" was exaggerated, although there certainly could be additional casualties during the ensuing season.


Miles Davis: Kind of Blue, 50th Anniversary


from Slate Magazine:

Miles Davis' Kind of Blue, which was released 50 years ago today, is a nearly unique thing in music or any other creative realm: a huge hit—the best-selling jazz album of all time—and the spearhead of an artistic revolution. Everyone, even people who say they don't like jazz, likes Kind of Blue. It's cool, romantic, melancholic, and gorgeously melodic. But why do critics regard it as one of the best jazz albums ever made?


The Art Aquatic with Duke Riley

Duke Riley
Those Who Are About to Die Salute You
Naumachia - Live Roman Naval Battle
Queens Museum of Art: Launch Pad Artist-in-Residence Program
Thursday, August 13th, 6 - 9:30 pm

August 15, 2009. This event promised to adhere to historical precedents from the Roman Empire, at least as filtered through the popular imagination of Hollywood films like Ben Hur: bread and circuses; pomp and revelry; the heady Coliseum drama of thumbs up and thumbs down; the thrill of victory, the agony of defeat; reenacted maritime battles staged in a shallow reflecting pool; "death" by baguette or balloon sword, catapulted watermelon bomb and tomato projectile; an orgy of flotsam and jetsam; an outdoor food fight seasoned with the anarchic spirit of a college toga party. And the added promise that all of this estival mayhem was being done in the name of art.


Who Owns Art History?

The following are brief excerpts from a Facebook dialog that’s taken place over the last four days on the Loren J. Munk page. The impetus of the original post was a demand received through YouTube from a supposed dealer, who threatens “getting ugly” if his demands aren’t met. This subject seems like prime territory for the investigation of “New Media” and some of its implications. Thanks here to those who contributed. I’ve edited due to space limits, but tried to capture the general tone.


Ward Shelley Who Invented the Avant-Garde and other half truths at PIEROGI


Is there such a thing as "Meta-Art"? Ward Shelley delves into the aestheticization of art history, mapping movements and individuals from art and pop cultural history. Despite his neutral approach, these works tend to show how the narrative is shaped, bent and fitted.

James Kalm catches up with conceptual artist Ward Shelley on the closing day of his exhibition “Who Invented the Avant-Garde and other half truths”.


Philip Pocock "Interview with Joseph Nechvatal" at the Journal of Contemporary Art

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Journal of Contemporary Art (Fall) 1992Journal of Contemporary Art (Fall) 1992

PDF file attached of Philip Pocock "Interview with Joseph Nechvatal" from the Journal of Contemporary Art 1992


Old School Future

With the summer doldrums in full effect, the market downturn still wreaking havoc and most of the city’s cognoscenti sipping Mojitos in the Hamptons, I thought it might be a good time to take a brief review of what’s happening with the art publishing industry. Is art criticism printed on paper an anachronism? What will replace it? This is a repost of a piece that appeared in the May issue of the Brooklyn Rail.


The Round Heard Round the World

On July 30, President Obama bought a round of beer for Harvard University Professor Henry Louis Gates Jr. and Sgt. James Crowley of the Cambridge, Massachusetts police, in an attempt to heal feelings in the aftermath of the arrest and alleged racial profiling of Mr. Gates earlier this month. VP Joe Biden also attended the informal gathering around a picnic table in the Rose Garden.


Nanosférica: An Online Exhibition by the *particle group*

“Nanofabric is the new black in fashion apparel and accessories.”
—Hugo Boss, 2005

“Patenting particles makes everyone smile around here.”
—Harris & Harris Group (Nasdaq:TINY), 21 September 2005

http://www.hemisphericinstitute.org/hemi/en/particle-group-intro

"Think small, think really small and then think even smaller" and you almost will hit the miniscule trans-b.a.n.g.s (bits, atoms, neurons, and genes) at the core of today's particle transvergence. There's a rush to patent and fabricate particles, currently found in cosmetics, baby lotions, sunscreen, fabrics, paints, and inkjet paper. Industries now claim to control the vertical and horizontal axes of structures far smaller than "angels' dancing on the head of a pin." The sliding scale of the nano-world is one nanometer, a billionth of a meter, or about one twenty-fifth-millionth of an inch (far smaller than the world of everyday objects described by Newton's laws of motion, but bigger than an atom or a simple molecule).


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