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Selections from the Permanent Collection of the UB Anderson Gallery

University at Buffalo Art Galleries: Gift of Rebecca Anderson, 1988: Joan Mitchell, "Ode To Joy, o/c, 1970-71, in "Selections from the Permanent Collection" of the UB ANDERSON GALLERYUniversity at Buffalo Art Galleries: Gift of Rebecca Anderson, 1988: Joan Mitchell, "Ode To Joy, o/c, 1970-71, in "Selections from the Permanent Collection" of the UB ANDERSON GALLERYBuffalo, N.Y., --The UB Anderson Gallery is pleased to present Selections from the Permanent Collection, an exhibition of important works from the gallery’s own collection, featuring artists Joan Mitchell, Anton Tapiés, Michael Goldberg, and Sam Francis.


heavy gold red

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The moment I entered the closet where the coffee machine is I could not take my eyes off them. It's some material which I would not identify as vinyl but would describe as such. Shiny and tight red plastic shoes,

Reviewing the Future: Vision, Innovation, Emergence:

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This is my report on my School of Visual Arts sponsored participation in the international conference on new media: “Reviewing the Future: Vision, Innovation, Emergence: The First Summit Meeting of the Planetary Collegium” which took in Montreal, Canada from the 19th – 22nd of April 2007. The conference was hosted by the CIAM (Centre Interuniversitaire des Arts Médiatiques) and by Hexagram. Both organizations acted as partial sponsors. Activities mainly took place at le "C∫ur des Sciences", the new scientific complex at University of Quebec in Montreal (UQAM).


Group Work at Spaghetti Junction

PM_installation_2.jpg
Temporary Services was in town at the end of March. They are a Chicago group which perform “services.” (Service as art, or as a social good which artists produce, was described and debated by Andrea Fraser and friends in a mid-1990s conference in Europe). Temporary Services make many ‘zines, little booklets and brochures on various topics, in accelerating profusion. Their many recent shows around the world have been basically about “servicing,” and then making a ‘zine and pushing it out. Now they have svelte, lozenge-shaped ‘zine dispensers to give these things away – forms that recall Artschwager crossed with Gonzalez-Torres. That’s artistic form both material and social…


"The Future of Media x Art" ICC Tokyo 04/19

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Soh-Yeong Roh (Nabi Art Center, Seoul)
"Can't we drop that "media" and call it all art?"
[...]
Masaki Fujihata
"It's only called 'Media Art' because we had to come up with some name to calm down the confused art collectors."
[...]
Alex Andriaansen (V2_)
"I did not use the word 'Media Art' at all in my talk. OK, OK, once."


Arman: Accumulation of Friends

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During this early Spring of 2007 in New York, a moment decidedly après le deluge , with a leg and a half still stuck in winter gloom, one of our few guilty pleasures is a show of photographs at the new FIAF Gallery by Arman (1928 – 2005). Here is his self portrait.


Re-Staging, Re-Enactment, Remix and Mimetics

I called this piece 3-In-1 done in 1994, a fake Joseph Kosuth. Actually it was a restaging of the Kosuth piece that put the three separate elements (photo, chair, Photostat) into a frame making it into a single discreet art object. The original piece by Kosuth titled, One In Three Chairs has three separate parts.


New online journal *Re-public

New online journal *Re-public
http://www.republic.gr/en

has just published the first* part* of its special issue "*Wiki politics*". The issue explores how the use of new collaborative tools (wikis, blogs,
forums, mailing lists, podcasting, and videos) can transform the ways politics are practiced. Articles include:

*McKenzie Wark: Gamer theory for collaborative knowledge production. An interview with the author of *A Hacker's Manifesto* on how wikipedia is an example of a new kind of social relation


The Collision of Extremism and Appropriateness: Imus & Richards

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The Collision of Extremism and Appropriateness: The Passion of Don Imus and Michael Richards

First, let me say that the answer to shocking language and socially ‘inappropriate’ behavior in the mainstream media is not to excise the offending member. I’ll try to explain my point on the matter.

Over the past few months I have seen comedian Michael Richards and shock radio host Don Imus lambasted, or even excised from culture for racist epithets. On November 17, 2006, Richards lost his composure with hecklers at the Laugh Factory in West Hollywood, California by alluding to Lynch mobs, and repeatedly using the word “Nigger”. What ensued was a media frenzy in which outlets like MSNBC and CNN nearly preempted far more important issues like warfare and hunger to keep Richards’ face on the air day and night for nearly two weeks, as well as demands by subject Kyle Doss for reparations. This was despite statements of contrition and (refused) requests for reconciliatory meetings with African-American leaders such as Al Sharpton and Jesse Jackson, and articles on conspiracynet about linkages of Richards to his Masonic affiliation and the Freemasons’ linkage to the Ku Klux Klan.


MIKE DAVIS - THE DEMOCRATS AFTER NOVEMBER

From the NEW LEFT REVIEW ..

Was the November 2006 midterm election an epic political massacre or
just a routine midterm brawl? In the week after the Democratic
victory, partisan spinmeisters offered opinions as contradictory as
those of the protagonists in Rashomon, Kurosawa's famously
relativistic account of rape and murder. On the liberal side, Bob
Herbert rejoiced in his New York Times column that the `fear-induced


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