Friends,

The richest 400 Americans -- that's right, just four hundred people -- own MORE than the bottom 150 million Americans combined. 400 rich Americans have got more stashed away than half the entire country! Their combined net worth is $1.6 trillion. During the eight years of the Bush Administration, their wealth has increased by nearly $700 billion -- the same amount that they are now demanding we give to them for the "bailout." Why don't they just spend the money they made under Bush to bail themselves out? They'd still have nearly a trillion dollars left over to spread amongst themselves!

Of course, they are not going to do that -- at least not voluntarily. George W. Bush was handed a $127 billion surplus when Bill Clinton left office. Because that money was OUR money and not his, he did what the rich prefer to do -- spend it and never look back. Now we have a $9.5 trillion debt. Why on earth would we even think of giving these robber barons any more of our money?

Opens October 9, 2008 6-8
Janine Gordon at Elga WImmer, 526 W 26th street, New York New York

Here's a piece I did at the Democracy in America show.

Marcy Kaptur, D-Ohio, who made news last week with her YouTube bailout sensation, also opposed the bill, declaring that it "bails out behavior" with "no reform."

IN DIALOGUE
A new series of talks at Sara Meltzer Gallery, organized by artist Doug Wada. A select group of writers were invited to interview an artist of their choice.
Saturdays: October 4th, 18th, and 25th at 4pm.

Saturday, October 4th, 4pm:

Domenick Ammirati / Jmy Leary

There are socially conscious nonprofits which feed the hungry, house the homeless, work with runaway or HIV-positive youth, engage in natural disaster relief. And there are arts/cultural nonprofits, generally sharing a left-liberal orientation. The two should be sympathetic and cooperative. Artists, for example, are often moved to donate work to auctions that benefit socially or politically active causes. But as the economy shrinks, there will necessarily be increased competition for fewer dollars, and organizations dealing with subsistence and survival will likely be favored over artistic endeavors. This could endanger the natural affinity between good causes and good art.

rev billy

http://www.monochrom.at/arse-elektronika/

http://www.youtube.com/profile_play_list?user=ghovagimyan

Sept. 11-14th, Artists Meeting (http://artistsmeeting.org) members did a series of performance / interventions in the (POPS) plazas of Lower Manhattan. They were very successful. The initial idea was to work in the plazas as a way to take back the public spaces and engage the public. This has extra meaning after 9/11 and especially downtown which has been a sort of barricaded fortress.