Tjorg Douglas Beer
Salonu Istambul/Observation Deck
Produzentengalerie Hamburg
While Tjorg Douglas Beer’s works previously collaged disparate iconography, confuting the viewer with abstracted associations of power versus the everyday, in the Salonu there is a distinct predominance of Islamic characters and militaristic residue. Of course, the artist might contend that as his studio was located in a Muslim region of Hamburg, Shemaghs and Hijabs (head scarves) are fashion and religion alike. And there is an interesting sensitivity in this; that in order for iconography to denude itself, to exist in its most malleable state, it must shift in context to cultural characteristics.
9 years 22 weeks ago
10 years 32 weeks ago
12 years 2 days ago
12 years 2 weeks ago
12 years 9 weeks ago
12 years 9 weeks ago
12 years 9 weeks ago
12 years 9 weeks ago
12 years 10 weeks ago
12 years 12 weeks ago